|
1
|
|
Hatten, Robert S.:
An approach to ambiguity in the opening of Beethoven's string quartet, op. 59 no. 3, I
|
1980 |
|
2
|
|
Hatten, Robert S.:
Aspects of dramatic closure in Beethoven
|
1987 |
|
3
|
|
Hatten, Robert S.:
Michael Broyles. Beethoven: the emergence and evolution of Beethoven's heroic style
|
1990/1991 |
|
4
|
|
Hatten, Robert S.:
On narrativity in music
|
1991 |
|
5
|
|
Hatten, Robert S.:
Interpreting deception
|
1992 |
|
6
|
|
Hatten, Robert S.:
Schubert the progressive
|
1993 |
|
7
|
|
Hatten, Robert S.:
Musical meaning in Beethoven
|
1994 |
|
8
|
|
Hatten, Robert S.:
Interpreting expression: the adagio sostenuto from Beethoven's piano sonata in Bb, op. 106 (Hammerklavier)
|
1994 |
|
9
|
|
Hatten, Robert S.:
Metaphor in music
|
1995 |
|
10
|
|
Hatten, Robert S.:
The expressiveness of structure and the structuring of expression
|
2000 |
|
11
|
|
Hatten, Robert S.:
"The role of gesture in interpreting Beethoven's late style: the piano sonata in A major, op. 101"
|
2000 |
|
12
|
|
Lockwood, Lewis:
Recent writings on Beethoven's late quartets
|
2002 |
|
13
|
|
Hatten, Robert S.:
The troping of topics in the symphony from Beethoven to Mahler
|
2003 |
|
14
|
|
Hatten, Robert S.:
Interpreting the first movement of Beethoven's op. 132
|
2003 |
|
15
|
|
Hatten, Robert S.:
Interpreting personal motivations
|
2003 |
| ... | |
|