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1
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Spitzer, Michael:
The pianist as orator: Beethoven and the transformation of keyboard style. By George Barth
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1994 |
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2
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Spitzer, Michael:
The significance of recapitulation in the "Waldstein" sonata
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1996 |
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3
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Spitzer, Michael:
Creativity, life and music
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1996 |
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4
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Spitzer, Michael:
Narratives of self-consciousness in Proust and Beethoven
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1996 |
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5
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Spitzer, Michael:
Convergences
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1997 |
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6
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Spitzer, Michael:
Marx's "Lehre" and the science of education
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1998 |
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7
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Spitzer, Michael:
Classical form: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. By William E. Caplin
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2000 |
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8
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Spitzer, Michael:
Ludwig van Beethoven. Musik zu Egmont und andere Schauspielmusiken. Hrsg. von Helmut Hell. (Werke, Abt. IX, Bd. 7.) (Veröffentlichungen des Beethoven-Hauses in Bonn.) Munich: G. Henle Verlag, 1998. Ludwig van Beethoven. Kantaten. Herausgegeben von Ernst Herttrich. (Werke, Abt. X, Bd. 1) (Veröffentlichungen des Beethoven-Hauses in Bonn.) Munich: G. Henle Verlag, 1996
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2000 |
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9
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Spitzer, Michael:
The Cambridge companion to Beethoven. Ed. by Glenn Stanley
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2003 |
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10
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Spitzer, Michael:
Metaphor and musical thought
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2004 |
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11
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Spitzer, Michael:
Beethoven, violin concerto in D major op. 61, Romanze for violin and orchestra no. 1 in G major op. 40, Romanze for violin and orchestra no. 2 in F major op. 50, Anne-Sophie Mutter vn, New York Philharmonic, Kurt Masur
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2004 |
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12
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Spitzer, Michael:
Beethoven and the musical tradition of the baroque
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2006 |
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13
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Spitzer, Michael:
Music as philosophy
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2006 |
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14
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Rumph, Stephen C.:
Op. 132 and the search for a deep structure
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2007 |
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15
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Spitzer, Michael:
The characteristic symphony in the age of haydn and Beethoven. By Richard Will. New perspectives in music history and criticism
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2007 |
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