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1
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Webster, James:
Towards a history of Viennese chamber music in the early classical period
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1974 |
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2
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Webster, James:
Part-crossings in the basses of Joseph Haydn's string quartets
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ca. 1975? |
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3
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Webster, James:
Traditional elements in Beethoven's middle-period string quartets
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1980 |
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4
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Webster, James:
The falling-out between Haydn and Beethoven
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1984 |
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5
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Webster, James:
Il dissidio tra Haydn e Beethoven
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1988 |
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6
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Webster, James:
Zur Form des Finales von Beethovens 9. Symphonie
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1990 |
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7
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Webster, James:
The form of the finale of Beethoven's ninth symphony
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1992 |
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8
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Webster, James:
Dahlhaus's "Beethoven" and the ends of analysis
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1993 |
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9
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Webster, James:
Music, pathology, sexuality, Beethoven, Schubert
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1993 |
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10
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Webster, James:
Haydn's "farewell" symphony and the idea of classical style
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1994 |
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11
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Webster, James:
The concept of Beethoven's "early" period in the context of periodizations in general
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1994 |
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12
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Webster, James:
Il dissidio tra Haydn e Beethoven
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1995 |
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13
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Sisman, Elaine Rochelle:
James Webster. Haydn's "Farewell" Symphony and the idea of classical style. Through-composition and cyclic integration in his instrumental music
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1995 |
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14
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Webster, James:
Das Erhabene in Haydns Oratorien Die Schöpfung und Die Jahreszeiten
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1998 |
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15
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Webster, James:
Die "Erste Wiener Moderne" als historiographische Alternative zur "Wiener Klassik"
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2002 |
| ... | |
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