Nm 33 / 1979 Burn
Burns, Ayleen Hilt:
An experimental investigation of melodic contour recognition in Beethoven theme and variations / Ayleen Hilt Burns. – 1979. – XII, 246 S. : zahlr. Notenbeisp., graph. Darst.
Papierkopie erschienen im Verlag University Microfilms International, Ann Arbor, Mich.
Columbus, Ohio, Ohio State Univ., Diss., 1979
UMI order number: 8001702
Inv.-Nr. 93.292
Inhalt: List of tables. – List of figures. – List of charts. – I. Introduction: Problem. Objective. Hypotheses. – II. Approach to the problem: Operational definitions of terms. Varied properties selected from Beethoven. Commentary for justification of hypotheses. – III. Experiment: Prototypes. Variables. Subjects. Procedures. – IV. Results. – V. Discussion of interactions: Interaction: between interpolation of tones and change in order of temporal intervals. Interaction: between octave transposition of the first part and change in the order of temporal intervals. Interactions: among octave transposition of the first part of the tone series, octave transposition of the last part of the tone series, and the interpolation of tones. Interactions: between meter change and the interpolation of tones. Interactions: among meter change, interpolation of tones, and octave transpositions of the last part of the tone series. – IV. Summary and conclusions: Problem. Procedures. Results. Discussion and conclusions. Suggestions for further research. – Appendices: A. List of Beethoven theme and variations uses as a basis for the transformation. B. Notation of the 162 transformations used in the experiment. C. Introductory material presented to subjects. – Bibliography. – Musical scores. – Additional sources.
- Schlagwörter:
- Beethoven, Ludwig van / Variation / Melodik / Experiment
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