Nm 62 op. 101 / 1994 Wein
Weiner, Brien:
Notes from the middleground : the convergence of "Ur-Idee" and "Urlinie" in Schenker's "Erläuterungsausgabe" of Beethoven's op. 101 / by Brien Weiner. – 1994. – V, 402 S. : Notenbeisp.
Papierkopie erschienen im Verlag University Microfilm International, Ann Arbor. – Auch über op. 109-111.
New Haven, Conn., Yale Univ., Diss., 1994
UMI order number: 9523249
Inv.-Nr. 97.676
Inhalt: Introduction: Preliminary notes from the middleground : underlying motives. – Part I : theory: Chapter 1 : the "Ur-Idee" and motivic parallelism: Premises. The tradition of the "Idee" in music theory - Chapter 2 : first movement: "Ur-Idee". Form. "Ur-Linie" - Chapter 3 : second movement: "Ur-Idee". Structural progressions. Form - Chapter 4 : third and fourth movements: Introduction : "Ur-Idee" and diminutions. Finale : "Ur-Idee" and parallelisms. Finale : form - Chapter 5 : the "Erläuterungsausgabe" of op. 101 and Schenkerian analysis today. – Part II : history: Chapter 6 : the emergence of "Urlinie" and "Ur-Idee" in Schenker's "Erläuterungsausgabe" of Beethoven's op. 109, 110, and 111: Overview. EA 109. EA 110. EA 111 - Chapter 7 : the continuum of concepts and the uniqueness of the "Ur-Idee" in Schenkerian analysis: Overview. "Der Tonwille". "Das Meisterwerk in der Musik". – Conclusions. – Appendix 1 : a translation of the analytic sections from the "Erläuterungsausgabe" of op. 101: An excerpt on "Urlinie" from the preface. First - fourth movement. – Appendix 2 : excerpts from "Counterpoint II", "bridges to free composition". – Appendix 3 : Schenker's edition of the score of op. 101. – Bibliography.
- Schlagwörter:
- Beethoven, Ludwig van / op. 101 / Analyse / Schenker, Heinrich
- Beethoven, Ludwig van / op. 109 / Analyse / Schenker, Heinrich
- Beethoven, Ludwig van / op. 110 / Analyse / Schenker, Heinrich
- Beethoven, Ludwig van / op. 111 / Analyse / Schenker, Heinrich
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