Nm 62 / 1992 Maca
Macahilig, Suzanne:
A method for the interpretation of Beethoven's middle period piano sonatas / Suzanne Macahilig. – 1992. – VII, 457 S. : Notenbeisp.
Analysen nach verschiedenen Methoden und aufführungspraktische Hinweise zu op. 57, op. 81a, op. 31,2, op. 53 und op. 90. – Papierkopie erschienen im Verlag University Microfilms International, Ann Arbor.
New York, NY, New York Univ., Diss., 1992
UMI order number: 9306870
Inv.-Nr. 97.683
Inhalt: Chapter I : introduction. – Chapter II : the classic era: Eighteenth century life. Pre-classic. Early classic. High classic (Viennese). Sonata form. Haydn, Mozart, and Beethoven. – Chapter III : overview ; the Beethoven piano sonatas: Generals structure. Harmony. Compositional technique. – Chapter IV : Selection of the sonatas for analysis: Timelines for piano sonatas. Division of Beethoven's compositional life. Finals selection. – Chapter V : Existing methods of analysis: Definitions of Analysis. Early writings (Frederick Dorian. Thurston Dart.) Existing methods. Narrative analysis (A. Forbes Milne. Donald F. Tovey. Eric Blom. Rudolph Reti. Leonard Meyer. Joseph Kerman.) Graphic analysis (Heinrich Schenker. Walter Piston). Narrative and graphic analysis (Jan La Rue. Robert Cogan and Pozzi Escot). Phenomenology of music (F. Joseph Smith. David B. Greene. Thomas Clifton. Lawrence Ferrara.) Performance analysis (Artur Schnabel/Konrad Wolff. Kenneth Drake.) Doctoral dissertations. Sketchbook analysis (Gustav Nottebohm. Allen Forte. Paul Mies.) Conclusions. – Chapter VI : Method of analysis: Narrative and timeline analyses (Sound. Harmony. Melody. Rhythm). Interpretation (Movement and momentum. Growth. Subjective responses. Sources). Guide to performance (Dramatic movement and momentum: Singing melody; rhythm; dynamics; tempo; character. Spontaneous, subjective responses. Principles of performance practice). – Chapter VII : op. 57. – Chapter VIII : op. 81 a. – Chapter IX : op. 31, 2. – Chapter X : op. 53. – Chapter XI : op. 90. – Chapter XII : conclusions and recommendations for further study. – Bibliography. – Appendice A : letters of support. – Appendice B : Beethoven's early musical training. – Appendice C : Beethoven's life circumstances.
- Schlagwörter:
- Beethoven, Ludwig van / Klaviersonate / mittlere Schaffensperiode / Analyse / Methode / Aufführungspraxis
- Beethoven, Ludwig van / op. 57 / Analyse / Aufführungspraxis
- Beethoven, Ludwig van / op. 81a / Analyse / Aufführungspraxis
- Beethoven, Ludwig van / op. 31,2 / Analyse / Aufführungspraxis
- Beethoven, Ludwig van / op. 53 / Analyse / Aufführungspraxis
- Beethoven, Ludwig van / op. 90 / Analyse / Aufführungspraxis
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