Nm 41 op. 125 / 1993 Bark
Barket, James Charles:
"The speaker of the orchestra" : an analytical study of the bass line in the fourth movement of Beethoven's ninth symphony / by James Charles Barket. – 1993. – VII, 90 S. : graph. Darst., Notenbeisp.
Papierkopie erschienen im Verlag University Microfilms International, Ann Arbor. – Enth. außerdem: Poetry, nature and science : romantic nature philosphy in the works of Novalis and E. T. A. Hoffmann / by Ausma Skerbele Weisend.
Greensboro, NC, Univ. of North California, Diss. (DMA), 1993
UMI order number: 9419155
Inv.-Nr. 97.671
Inhalt: I. Introduction: Purpose of the study - Significance of the Beethoven Symphonies: Beethoven's use of the double bass in the recitative passages - Scope and limitations of the study - Methodology: Procedure and methods used. Explanation of the exercises - Review of literature. – II. The broad analysis: The LaRue Methodology: General concepts. The symbols. Explanation of the graph - The analysis: The large dimension sections. The smaller dimensions. Summary. – III. The Schenkerian methodology and the background graph: Schenkerian concepts and definitions: Structural levels. Prolongation. Explanation of graphs and notation. Structural levels and motivic development. The significance of structural levels - The background graph: The fundamental line. Preliminary descents of the fundamental line. The significance of the primary theme. Important motivic relationships of a third. – IV. The bass line analysis and exercises: The introduction through measure 140: Middleground bass movement of a third. Motivic parallelism involving thirds and fifths. The recitative exercise. The primary theme and "1 sh". The exercise for measures 91-140 - The instrumental fugato: The instrumental fugato exercise - The secondary theme and the vocal fugato: The exercise for measures 663-671. – V. Summary and conclusions. – Bibliography. – Appendix: Suplemental middleground graphs.
- Schlagwörter:
- Beethoven, Ludwig van / op. 125 <4. Satz> / Bass / Analyse
- Hoffmann, Ernst Theodor Amadeus / Natur / Philosophie / Romantik
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