C 484
The bardic museum, of primitive British literature and other admirable rarities : forming the second volume of the Musical, poetical, and historical relicks of The Welsh bards and druids ; drawn from authentic documents of remote antiquity; (with great pains now rescued from oblivion,) and never before published ; containing, The Bardic triads; historic odes; eulogies; songs; elegies; memorials of the tombs of the warriors; of King Arthur and his knights; regalias; the wonders of Wales, et caetera ; with English translations and historic illustrations: likewise the ancient war-tunes of the bards ... ; to these national melodies are added new basses, with variations, for the harp, or harpsichord, violin, or flute / dedicated by permission to his Royal Highness the Prince of Wales by Edward Jones, Bard to the Prince. – London : For the Author by A. Strahan, 1802. – XX, 112 S. : Ill. ; Hochformat
Incipit: Gorhoffedd Owain Cyfeiliog * The delight of Prince Owen Kyveiliog * Consêt Siri * The sheriff's fancy * Y Gofid Glâs * The blue devils * Trichant o Bunnau * Three hundred pounds * Yr hên Gymraes * The old Cambrian dame * Yr hên Erddigan * The ancient harmony * Caingc Llywelyn * Llywelin's lay * Dechreuad y Byd. * The creation of the world * Codiad yr Haul * The rising sun * Orddigan Hûn Gwenllian' * The harmony of Gwenllian's repose * Yr Hên Rogero Bengroch * Old Roger red pôll * Hafod y Wraig lawen * The merry woman's dairy house or a dish of tea * Caingc Dafydd Brophwyd * The tune of David the prophet * Cân Dafydd Brophwyd * A psalm of David the prophet * O give thanks unto the Lord * Mwynen Gwynedd * The sweet melody of North Wales * Blodau yr Gogledd * The flower of the north * Grisial Ground * The crystal ground * Ffarwel Dic Bibydd * Dick the Piper's adieu * A druidical song * Meillionen or Sir Watkin's delight * Anni brôpr * Pretty Nancy * Llwyn-onn * Mwynen Machno * The enjoyment of Machno * Caniad Pibau Morfudd * The tune of Morvydd's pipes * Tlysig or the beauty * Yr Helyg Gân * The Willon hymn * Agoriad Cywair * The opening of the key * Blodau y' Gorllewin * The flowers of the west * Blodeu Gwynedd * The flower of North Wales * Lady Puleston's delight * Troiad y Droell * The whirling of the spinning wheel * Tòn Alarch * Rhywbeth * Something * Pob pêth * Everything * Pant corlan yr wyn neu Dafydd or Garreg-lâs * The lambsfold vale or David of the blue-stone * Y Brython * The Britons * Nôs Fercher * Wednesday night * Ymdawiad y Brenhin * The departure of the king * Y Ty trwyr'r ffenest * The house through the window * Hoffedd y Brenhin * The king's fancy * Cymro o b'le? * A Welshman from where? * The Cornish May song * Ffarwel Glanddyn * The jovial fellow's farewell * Y Gwr a'i Farch * Hoffedd Hywel ab Owen Gwynedd * The delight of Prince Howel, son of Owen Gwyne * Afon Elwy * The river Elwy * Wyres Megen * Peggy's niece * Caniad Clych * Chiming of the bells * Dyfywrch Ieuan Delynor Dall * The pastime of Evan the blind harper * Ned y Gô * Ned the Smith * Y Dydd cyntaf o Awst * The first of August * Mwynen Meirionydd * The delight of Meirionydd * Mopsi dôn * Mopsy's tune * Prestwich Bells * Sidanen * The Silken-fair * Fferdinando * Tyb y Brenhin Siarles * King Charles's fancy * Doed a ddêl * Hit or miss * Mwyneidd-dra * The complaisance * Distyll y Drain * The trickling of the thorns * Y Bardd yn ei Awen * The inspired bard
Plattendruck, Text und Titelseite Typendruck. – Mit koloriertem Frontispiz, eine Gruppe von Menschen um einen Harfe spielenden Barden. Stechervermerke auf dem Frontispiz: [l.:] "The Figures Drawn by Ibbetson, and the Landscape by J. Smith." [r.:] "Etched by Rowlandson". Unten auf der Seite Urheberrechtsvermerk: "Published according to Acto of Parliament Feb. 20.1802 by E.d Jones, in Lord Steward's Court yard, S.t James's Palace". – Die Noten beginnen ab S. 61. – Enthält auf S. 62, S. 69 und S. 101 Überlieferungen der Liedmelodien von WoO 155 Nr. 11, Nr. 17, Nr. 22 und Nr. 24. – Mit Wasserzeichen auf mehreren Seiten: 1800. – Im Notenteil Wasserzeichen "1807" auf S. 71, auf anderen Seiten nicht deutlich. Wasserzeichen auf S. 77 und 91 CR (oder OR). – Evtl. spätere Auflage mit unveränderter Titelseite (vgl. Wasserzeichen 1807).
Inv.-Nr. 19.532
[Titelseite:] THE / BARDIC MUSEUM, / OF / PRIMITIVE BRITISH LITERATURE; / AND OTHER ADMIRABLE RARITIES; / FORMING THE SECOND VOLUME OF THE / Musical, Poetical, and Historical Relicks / OF / The Welsh Bards and Druids: / DRAWN FROM AUTHENTIC DOCUMENTS OF REMOTE ANTIQUITY; / (WITH GREAT PAINS NOW RESCUED FROM OBLIVION,) / AND NEVER BEFORE PUBLISHED: / CONTAINING, / THE BARDIC TRIADS; HISTORIC ODES; EULOGIES; SONGS; ELEGIES; MEMORIALS OF / THE TOMBS OF THE WARRIORS; OF KING ARTHUR AND HIS KNIGHTS; REGALIAS; / THE WONDERS OF WALES, ET CAETERA: / WITH / ENGLISH TRANSLATIONS AND HISTORIC ILLUSTRATIONS: / LIKEWISE, / THE ANCIENT WAR-TUNES OF THE BARDS; Viz. /[...] / TO THESE NATIONAL MELODIES ARE ADDED / NEW BASSES; WITH VARIATIONS, / FOR / THE HARP, OR HARPSICHORD; / (DEDICATED BY PERMISSION TO HIS ROYAL HIGHNESS THE PRINCE OF WALES,) / BY EDWARD JONES, / BARD TO THE PRINCE: / Let us now praise famous men. / The Lord hath wrought great glory by them, through his great power from the beginning. / [...] /[r.:] ECCLESIASTICUS, Chap. xliv. ver I, &c. / [M.:] "Posteri dies testes sunt Sapientiae Antiquorum: / "Inquirens, invenies non Rubum, sed Rosam." / LONDON: Printed by A. Strahan, Printer-Street, / For the Author; 1802: / And Sold at No 3, in GREEN STREET, near Grosvenor Square. / (Price 1l. 5 s.) / Entered at Stationers' Hall.
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Z 10132
Stanford, Charles Villiers: Some thoughts concerning folk-song and nationality / by Charles Villiers Stanford. – 1915. – Notenbeisp.
Über die verschiedenen Volkslied-Stile und ihr Einfluß auf "klassische" Komponisten. In Beethovens 7. Sinfonie findet der Autor Motive aus irischen Jigs (S. 244 f.). Siehe auch Reaktion darauf von Grattan Flood in "The musical times" 56 (1915), S. 474 (Z 10146). – Ausdruck aus dem Internet vom 31.3.2009: http://www.jstor.org/stable/737848.
In: The musical quarterly. – 1 (1915), Nr. 2, S. 232-245
Inv.-Nr. 09.505
Mf 7 / 1919 Diem
Diem, Nelly: Beiträge zur Geschichte der schottischen Musik im XVII. Jahrhundert : nach bisher nicht veröffentlichten Manuskripten / von Nelly Diem. – Zürich : Buchdruckerei Berichthaus, 1919. – 185 S. : Noten im Anh.
Notenanh. enth. ein- oder zweistimmig notierte schottische Lieder, z.T. textiert.
Leipzig, Univ., Diss., 1917
Inv.-Nr. 80.004
Nm 79 / 1934 Lede
Lederer, Felix: Beethovens Bearbeitungen schottischer und anderer Volkslieder / von Felix Lederer. – 1934. – 67 S.
Bonn, Univ., Diss., 1934
Inv.-Nr. 6124 * 79.122
2 Ex.
Nc 5 / 1978 Gold
Poser, Martin: Beethoven und das Volksliedgut der Britischen Inseln / Martin Poser. – 1978
In: Bericht über den Internationalen Beethoven-Kongreß 20. bis 23. März 1977 in Berlin. – Leipzig : Deutscher Verlag für Musik, 1978. – S. 405-410
Inv.-Nr. 79.148 HB * 11.050
Z 7664
Cooper, Barry: The Welsh folk-song melodies set by Beethoven : a preliminary investigation / Barry Cooper. – 1996. – Notenbeisp.
Fotokopie. – Text in engl. und walischer Sprache.
Rilm 98:3042
In: Welsh music history = Hanes cerddoriaeth cymru. – 1 (1996), S. 4-41
Inv.-Nr. 04.640
Z 12516
MacCue, Kirsteen: "The most intricate bibliographical enigma" : understanding George Thomson (1757-1851) and his collections of national airs / Kirsteen McCue. – 2003
Fotokopie.
In: Music librarianship in the United Kingdom : fifty years of the United Kingdom branch of the International Association of music libraries, archives and documentation centres / ed. by Richard Turbet. – Aldershot [u.a.] : Ashgate, 2003. – S. 99-119
Inv.-Nr. 14.337