Me 361 / 1992 Boyd
Music and the French Revolution / edited by Malcolm Boyd. – Cambridge ; New York, NY ; Port Chester ; Melbourne ; Sydney : Cambridge University Press, 1992. – X, 328 S. : Portr., Ill., Notenbeisp.
ISBN/ISMN 0-521-40287-5
Inv.-Nr. 95.380
Inhalt (einige Aufsätz einzeln aufgenommen): Preface. – David Charlton: Introduction: exploring the Revolution. – Elements of continuity: Julian Rushton: "Royal Agamemnon": the two versions of Gluck's "Iphigénie en Aulide". – Michel Robinson: "Opera buffa" into "opéra comique", 1771-90. – Catherine Massip: Periodical editions of music at the time of the French Revolution. – Philippe Oboussier: The French string quartet, 1770-1800. – Roger Cotte: Francois Giroust, a Versailles musician of the revolutionary period. – Revolutionary opera: M. Elizabeth C. Bartlet: The new repertory at the Opéra during the reign of terror: revolutionary rhetoric and operatic consequences. – David Galliver: "Léonore, ou l'amour conjugal": a celebrated offspring of the revolution. – David Charlton: On redefinitions of "rescue opera". – Music and the new politics: Cynthia M. Gessele: The Conservatoire de Musique and national music education in France, 1795-1801. – Ora Frishberg Saloman: French revolutionary perspectives on Chabanon's "De la musique" of 1785. – Jean-Louis Jam: Marie-Joseph Chénier and Francois-Joseph Gossec: two artists in the service of revolutionary propaganda. – Herbert Schneider: The sung constitutions of 1792: an essay on propaganda in the revolutionary song. – Napoleon and after: Gabriella Biagi Ravenni: The French occupation of Lucca and its effects on music. – Beate Angelika Kraus: Beethoven and the revolution: the view of the French musical press. – Index.
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