Mf 343 / 1984 Bail
Bailey, Jim:
The development of the violoncello section as a lyric melodic color in the symphonies of Beethoven and Schubert / Jim Bailey. – 1984. – V, 172 S. : Notenbeisp.
Papierkopie erschienen im Verlag University Microfilms International, Ann Arbor, Mich.
Lawrence, Kan., Univ. of Kansas, Diss. (DMA), 1984
UMI order number: 8424291
Inv.-Nr. 93.295
Inhalt: Foreword. – I. The cello section in the eighteenth sentury symphony: The role of the cello section in the early symphony. Haydn and Mozart. – II. The influence of opera: Mozart operas. French operas. Cherubini. Weber. – III. Social, physical, and pedagogic influences in the develepment of the cello section: The development of concerto societies and the change in orchestra sizes. The proliferation of cello methods. The rise of the cello virtuoso. Physical changes in the instrument and bow. – IV. The treatment of the cello section the symphonies of Schubert: The first six symphonies. Symphony no. 8. Symphony no. 9. – V. The treatment of the cello section in the symphonies of Beethoven: Symphonies no. 1 and no. 2. Symphony no. 3. Symphonies no. 4 and no. 5. Symphonies no. 6, no. 7, and no. 8. Symphony no. 9. Conclusions. – Bibliography.
- Schlagwörter:
- Beethoven, Ludwig van / Sinfonie / Violoncello
- Schubert, Franz / Sinfonie / Violoncello
- Violoncello / Oper / Sinfonie / 1740-1827
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