Nm 533 op. 47 / 1997 Ahn
Ahn, Suhnne:
Genre, style, and compositional procedure in Beethoven's "Kreutzer" sonata, opus 47 / by Suhnne Ahn. – 1997. – VIII, 275 S. : Faks. (Noten), graph. Darst., Noten, Notenbeisp.
Papierkopie erschienen im Verlag University Microfilm International, Ann Arbor, Mich.
Cambridge, Mass., Harvard Univ., Diss., 1997
UMI order number: 9721651
Inv.-Nr. 97.675
Inhalt (Übersicht): Introduction. – Part I : analysis: Chapter 1 : analysis of individual movements. – Part II : sources: Chapter 2 : the Wielhorsky sketchbook: Background. Overview. The sketches. Summary - Chapter 3 : the autograph fragment: Hans Schmidt. Sieghard Brandenburg. Comparison of passages. Conclusions about the cancellation - Chapter 4 : the engraver's copy: Past scholarship (Tyson's identification of the copyists. Brandenburg's completion). Ferdinand Ries's role revisited. Speculation on the autograph. The pasteover. – Part III : interpretation: Chapter 5 : the French connection ; Kreutzer's "Grande Sonata": Evolution of the dedication to Kreutzer. A review of the sources. Kreutzer's "Grande Sonate". Opus 47 and Kreutzer's "Grande Sonate" : the musical links. Score of Kreutzer's "Grande Sonate" - Chapter 6 : sonata as "Quasi come d'un concerto": Evolution through the sources. Influences on the subtitle : Sulzer or Koch - Chapter 7 : concertante and dialogue: concertante as distinct from obbligato. A reinterpretation of the idea of the dialogue - Chapter 8 : opus 47 in the context of Beethoven's other works: Opus 47 as a bridge beween op. 37 and op. 58. Opus 47 as an outgrowth of opus 37. Opus 47 as a predecessor of opus 58. Opus 47 in the context of the violin concerto. The triple concerto, opus 56. The romances, opp. 40 and 50. Opus 40 and the slow introduction of opus 47. – Conclusion. – Bibliography.
- Schlagwörter:
- Beethoven, Ludwig van / op. 47 / Entstehung / Analyse / Stil / Gattung
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