Bibliographischer Nachweis
Bilson, Malcolm: The emergence of the fantasy-style in the Beethoven piano sonatas of the early and middle periods / Malcolm Bilson. – 1968. – 184 S.
Urbana-Champaign, Ill., Univ. of Illinois, Diss. (DMA), 1968
UMI order number: 68-12082
Permalink
Z 2027
Bilson, Malcolm: Performance practices in Beethoven's piano sonatas: an introduction. By William S. Newman : New York: Norton & Company, (c. 1971) / [rezensiert von Malcolm Bilson]. – 1971/1972
Fotokopie.
In: Notes. – 28 (1971/72), S. 677-678
Inv.-Nr. 12393
Grundmann P / 1973 Earl Sammlung Herbert Grundmann
Bilson, Malcolm: The Viennese fortepiano of the late 18th century : [a performers introduction to the classical repertoire] / Malcolm Bilson. – 1980. – Ill., Notenbeisp.
U.a. über Beethovens op. 30, Nr. 2 als Beispiel.
In: Early music. – 8 (1980), S. 158-162
Inv.-Nr. 05.2354
Z 6287
Bilson, Malcolm: Late Beethoven and early pianos / Malcolm Bilson. – 1982
In: Early music. – 10 (1982), S. 517-519
Inv.-Nr. 01.266
Z 4242
Bilson, Malcolm: Beethoven and the piano / by Malcolm Bilson. – 1983. – Portr., Notenbeisp.
In: Clavier. – 22 (1983), H. 8, S. 18-21
Inv.-Nr. 90.717
P / 1973 Earl
Bilson, Malcolm: Beethoven's tied-note notation / Malcolm Bilson. – 2004. – Zahlr. Notenbeisp.
Leserbrief zum Artikel von Jonathan Del Mar: Once again: reflections on Beethoven's tied-note notation.
In: Early music. – 32 (2004), S. 489-491
Inv.-Nr. 04.173
Bilson, Malcolm: Changes in performance style : before the era of recordings. – 2010
Online erhältlich (kostenpflichtig): http://mtnaejournal.org/publication/?i=36501.
In: MTNA e-journal. – 1 (2010), H. 4, S. 12-16