Nm 33 / 1982 Gree
Greene, David B.: Temporal processes in Beethoven's music / David B. Greene. – New York, NY ; London ; Paris : Gordon & Breach, 1982. – IX, 192 S. : Notenbeisp.
ISBN/ISMN 0-677-05600-1
Inv.-Nr. 84.221
Permalink
Z 6264
Cooper, Barry: Temporal processes in Beethoven's music : (Gordon & Breach, New York, London & Paris, 1982) / [rezensiert von Barry Cooper]. – 1984
Fotokopie.
In: Music and letters. – 65 (1984), S. 70-71
Inv.-Nr. 01.230
Z 6277
MacMullin, Michael: Temporal processes in Beethoven's music. By David B. Greene : (Gordon & Breach, New York, London & Paris, 1982) / [rezensiert von M. McM.]. – 1985
In: The music review. – 46 (1985), S.58-59
Inv.-Nr. 01.254
Z 6786
Miller, Samuel D.: Temporal processes in Beethoven's music, by David B. Greene : New York: Gordon and Breach science publishers, 1982 / [rezensiert von Samuel D. Miller]. – 1985
In: Journal of aesthetic education. – 19 (1985), S. 118-121
Inv.-Nr. 02.354
P / 1977 Nine
Maus, Fred Everett: Tempus imperfectum / [rezensiert von] Fred Everett Maus. – 1986. – Notenbeisp.
Rezension u.a. von: David B. Greene. Temporal processes in Beethoven's music. New York: Gordon and Breach Science Publishers, 1982.
In: Nineteenth-century music. – 9 (1985/1986), S. 234-248
Inv.-Nr. 93.043
Bibliographischer Nachweis
Greene, David B.: Beethoven no bigaku. – Tokyo : Keiso Shobo, 1991
Rilm 92:13315
Z 12643
Greene, David B.: Beethoven's ninth symphony : joy-based community and community-based joy / [David B. Greene]. – 2010
In: The imagining of community in works of Beethoven, Verdi, and Shostakovich : musical means for envisioning community / David B. Greene ... – Lewiston [u.a.] : The Edwin Mellen Press, 2010. – S. 125-172
Inv.-Nr. 14.682
Abschnitte: 1. Introduction I: Imagining community through feeling. – 2. Introduction II: Re-Imagining emotion and community through re-making aesthetic forms. – 3. The musical structure of Beethoven's finale and its impact on the words. – (1) Musical relations in place of syntactical relations among words. – (2) The introductory recitatives: Connecting the finale to the first three movements and rejecting the connection. – (3) Rejecting the choral finale and rejecting the rejection. – (4) Musically related words in the first section. – 4. The musical structure and the process of making and unmaking. (1) Section two. The march. – (2) The slow section. – (3) The final section. – 5. The end and endlessness of unmaking form and re-imagining community.
Me 5 / 2012 Gree
Greene, David B.: The theology of Handel's "Messiah", Beethoven's "Credo" and Verdi's "Dies irae" : how listening to sung theology leads to the contemplation of God / David B. Greene. With a preface by Jonathan N. Badger. – Lewiston ; Queenston ; Lampeter : The Edwin Mellen Press, 2012. – 109 S. : Notenbeisp.
ISBN/ISMN 978-0-7734-2589-7 – ISBN/ISMN 0-7734-2589-6
Inv.-Nr. 14.826