Nm 62 / 1970 Drak
Drake, Kenneth: A study of the Beethoven piano sonatas in the light of evidence provided by Beethoven's pupils / by Kenneth Oscar Drake. – Urbana, 1970. – Zahlr. Notenbeisp.
Fotokopie.
Urbana-Champaign, Ill., University of Illinois, Diss., 1970
Inv.-Nr. 05.941
Permalink
Nm 62 / 1972 Drak
Drake, Kenneth: The sonatas of Beethoven, as he played and taught them / Kenneth Drake. Edited by Frank S. Stillings. – Cincinnati : Music Teachers National Association, 1972. – XI, 209 S. : zahlr. Notenbeisp.
Inv.-Nr. 79.405
Z 6610
Kenneth Drake: The sonatas of Beethoven : [Music teachers' national Association]. – 1973
Fotokopie. – Rezension.
In: Clavier. – 12 (1973), H. 2, S. 6
Inv.-Nr. 01.907
Z 2655
Badura-Skoda, Eva: The sonatas of Beethoven as he played and taught them. By Kenneth Drake. Ed. by Frank S. Stillings : Cincinnati: Music Teachers National Association, 1972 / [rezensiert von Eva Badura-Skoda]. – 1975
In: Notes. – 32 (1975/76), S. 47-49
Inv.-Nr. 78.034
Bibliographischer Nachweis
Drake, Kenneth: The sonatas of Beethoven, as he played and taught them. – Bloomington : Indiana University Press, 1981. – XI, 209 S. : Notenbeisp.
ISBN/ISMN 0-2532-0262-0
P / 1981 Pian
Kenneth Drake: The sonatas of Beethoven, as he played and taught them : [Indiana University Press, Bloomington (Reprint of the 1972 edition published by Music Teachers National Association, Cincinnati), 1981] / [rezensiert von R. K.]. – 1983
In: Piano-Jahrbuch. – 3 (1983), S. 262
Inv.-Nr. 88.181
Nm 62 / 1994 Drak
Drake, Kenneth: The Beethoven sonatas and the creative experience / Kenneth Drake. – Bloomington ; Indianapolis : Indiana University Press, 1994. – XI, 375 S. : Notenbeisp.
ISBN/ISMN 0-253-31822-X
Inv.-Nr. 95.141
Inhalt: Preface. – 1. The first raptus, and all subsequent ones. – The sounds of involvement: 2. Technique as touch. – 3. Tempo and the pacing of musical ideas. – 4. Dynamic nuance and musical line. – 5. The role of silence. – 6. Sound as color. – The sonatas: 7. Descriptive music: op. 81a, op. 13. – 8. Motivic development: op. 2 no. 1, op. 57, op. 110. – 9. "Quasi una Fantasia": op. 27 nos. 1 and 2, op. 26. – 10. Line and space: op. 2 no. 2, op. 101. – 11. Movement as energized color: op. 53. – 12. The moment of creation: op. 28, op. 31 nos. 2 and 3. – 13. Facing two directions: op. 49 nos. 1 and 2, op. 54, op. 78, op. 90. – 14. The enjoyment of fluency: op. 10 nos. 2 and 3, op. 14 no. 2, op. 22, op. 31 no. 1, op. 79. – 15. The cosmopolitan impostor: op. 2 no. 3, op. 14 no. 1. – 16. Embracing the Dachstein: op. 7, op. 106. – 17. A higher revelation: op. 10 no. 1, op. 109, op. 111. – 18. The witness tree. – Notes.
Nc 6 / 1986 Beet
Wendel, Thomas: Kenneth Drake. The Beethoven sonatas and the creative experience, Bloomington: Indiana University Press, 1994 / [rezensiert von] Thomas Wendel. – 1998. – Notenbeisp.
In: The Beethoven Journal / San José State University. – 13 (1998), S. 76-41
Inv.-Nr. 98.754 HB
Drake, Kenneth: The Beethoven sonatas and the creative experience. – Bloomington, In. : Indiana Univ. Press, 2000. – XI, 315 S.
Paperback-Ausgabe.
ISBN/ISMN 0-253-21382-7