Z 4476
Schmalfeldt, Janet: On the relation of analysis to performance : Beethoven's bagatelles op. 126, nos. 2 and 5 / Janet Schmalfeldt. – 1985. – Zahlr. Notenbeisp.
In: Journal of music theory. – 29 (1985), S. 1-31
Inv.-Nr. 93.228
Permalink
Nc 6 / 1992 Beet
Schmalfeldt, Janet: Form as the process of becoming : the Beethoven-Hegelian tradition and the "Tempest" sonata / Janet Schmalfeldt. – 1995. – Notenbeisp.
In: Beethoven forum. – 4 (1995), S. 37-71
Inv.-Nr. 96.1158 HB
Bibliographischer Nachweis
Schmalfeldt, Janet: On performance, analysis, and Schubert / Janet Schmalfeldt. – 2002
Einflüsse von Beethoven auf Schuberts op. 42 (D 845).
In: Per musi : Revista de performance musical. – 2002, H. 5-6, S. 38-54
Z 13381
Schmalfeldt, Janet: Beethoven's "Bridgetower" sonata, op.47 / Janet Schmalfeldt. – 2009. – Notenbeisp.
Fotokopie.
Rilm 09:08864
In: New paths : aspects of music theory and aesthetics in the age of Romanticism / ed. Darla Crispin ... – Leuven : Leuven Univ. Press, 2009. – (Collected writings of the Orpheus Institute ; 7). – S. 27-67
Inv.-Nr. 16.091
Z 11239
Schmalfeldt, Janet: One more time on Beethoven's "Tempest", from analytic and performance perspectives: a response to William E. Caplin and James Hepokoski / Janet Schmalfeldt. – 2010
Siehe auch die Reaktion von W. E. Caplin darauf (Z 11240). – Zum Beitrag von Hepokoski s. Z 11222. – Ausdruck aus dem Internet vom 1.12.2010. – Digital s. https://mtosmt.org/issues/mto.10.16.2/mto.10.16.2.schmalfeldt3.html.
In: Music theory online : the online journal of the Society for Music Theory. – 16 (2010), Nr. 2, 7 S.
Inv.-Nr. 11.014
Ms 4 / 2011 Schma
Schmalfeldt, Janet: In the process of becoming / Janet Schmalfeldt. – Oxford : Oxford University Press, 2011. – XI, 333 S. : zahlr. Notenbeisp. – (Oxford studies in music theory)
ISBN/ISMN 978-0-19-509366-7
Inv.-Nr. 11.286
Inhalt (grob): Chapter 2: The Beethoven-Hegelian tradition and the "Tempest" sonata. – Chapter 3: The processual legacy of the late eighteenth century. – Chapter 4: Beethoven's "Bridgetower" Sonata, op. 47. – Chapter 5: On performance, analysis, and Schubert. – Chapter 6: Music that turns inward: new roles for interior movements and secondary themes. – Chapter 7: Mendelssohn the "Mozartean". – Chapter 8: ... "sed non eodem modo": Chopin's ascending-thirds progression and his cello sonata, op. 65.
Z 14089
Schmalfeldt, Janet: Beethoven's "violation" : his cadenza for the first movement of Mozart's concerto in D Minor, K 466 / Janet Schmalfeldt. – 2017. – Notenbeisp.
Die Autorin setzt sich auch mit den Analysen dieses Themas von Richard Kramer (s. Z 4423) und Heinrich Schenker auseinander. – Fotokopie.
In: Music theory spectrum. – 39 (2017), H. 1, S. 1-17
Inv.-Nr. 17.340