Z 3335,2 HCB P / 1850 Rhei Sammlung H. C. Bodmer
Bischoff, Ludwig: Bemerkungen über den Vortrag Beethovenscher Sinfonien / [L. Bischoff]. – 1851. – Notenbeisp.
In: Rheinische Musik-Zeitung für Kunstfreunde und Künstler. – 1 (1850/51), S. [217]-220, [233]-236, [257]-259, [265]-266
Inv.-Nr. 86.411 * 56.450
2 Ex.
Permalink
HCB P / 1853 Nied Sammlung H. C. Bodmer
Bischoff, Ludwig: Bemerkungen über den Vortrag Beethoven'scher Sinfonieen / [L. B.]. – 1857. – Notenbeisp.
In: Niederrheinische Musik-Zeitung für Kunstfreunde und Künstler. – 5 (1857), Nr. 43, vom 24.10., S. 337-341
Inv.-Nr. 56.450
P / 1852 Dwig
Hiller, Ferdinand: Conducting from memory, a score! / (by Ferdinand Hiller). – 1872
Über die Vor- und Nachteile des auswendig Dirigierens, u.a. bei Sinfonien von Beethoven. – Mikrofiche.
In: Dwight's journal of music. – 32 (1872/73), Nr. 11, vom 24.8., S. 289
Inv.-Nr. 09.879
Nm 41 / 1906 Wein
Weingartner, Felix: Ratschläge für Aufführungen der Symphonien Beethovens / von Felix Weingartner. – Leipzig : Breitkopf & Härtel, 1906. – XI, 197 S. : zahlr. Notenbeisp.
Inv.-Nr. 181
Nm 41 / 1906 Wein 1907
Weingartner, Felix: On the performance of Beethoven's symphonies / by Felix Weingartner. Translated by Jessie Crosland. – London ; Leipzig ; Berlin ; Brussels ; New York, NY : Breitkopf & Härtel, 1907. – X, 195 S. : zahlr. Notenbeisp.
Einheitstitel: Ratschläge für Aufführungen der Symphonien Beethovens
Inv.-Nr. 3693
HCB Nm 41 / 1906 Wein 1916 Nm 41 / 1906 Wein 1916 Sammlung H. C. Bodmer
Weingartner, Felix: Ratschläge für Aufführungen der Symphonien Beethovens / von Felix Weingartner. – 2., durchges. Aufl. – Leipzig : Breitkopf & Härtel, 1916. – XI, 207, 17 S. : zahlr. Notenbeisp.
Inv.-Nr. 56.045 * 909
Nl 3 / 1990 Roos
Roos, Harke de: Beetgenomen door Beethoven : nieuwe oplossingen voor oude raadsels / Harke de Roos. – Katwijk aan Zee : Panta Rhei, 1990. – 261 S. : graph. Darst., Notenbeisp.
Ungefähre Übersetzung des Titels: Angeführt durch Beethoven : neue Auflösungen alter Rätsel.
ISBN/ISMN 90-73207-11-8
Inv.-Nr. 97.052
Inhalt: Introductie. – Deel I: 1. Het tempoprobleem in het algemeen. 2. Op zoek naar het authentieke tempo. 3. Zo doen ze het geen van allen. 4. Harmonische tempo-intervallen. 5. Het structurele tempo en het vogelperspectief. 6. De alledaagse tijd en de kosmos. 7. De Gulden Snede en de Harmonie der Sferen. 8. Een stap voorwaarts en een stap terug. 9. De tijdmeter. 10. De uitdaging. 11. Het raadsel. 12. Een kreupele gids. 13. Dissonanten met en zonder oplossing. 14. Een symfonische kathedraal. 15. Het raadsel geraden, maar niet verraden. – Deel II: 16. Over de macht van Mozarts muziek. 17. De zegeningen van een groot voorbeeld. 18. De vloek van een groot voorbeeld. 19. De crisis begint. 20. De last van het geweten. 21. Als Mozart gestorven, herboren als Prometheus. 22. Mozarts schaduw wijkt niet. 23. Het Weense Phaeakendom. 24. De macht van de staat. 25. De onmacht van de staat. 26. De nasleep. 27. De neef. 28. De godin met de rozenwangen
P / 1844 Musi
Willner, Channan: Beethoven symphonies on period instruments: a new tradition / Channan Willner. – 1990. – Portr., Ill.
In: The musical times. – 131 (1990), S. 88-91
Inv.-Nr. 90.054
Nc 5 / 2000 Toma
Tarasti, Eero: Principles of "Moi" and "Soi" in Beethoven's symphonism : conventional, organic, and existential narrativity / Eero Tarasti. – 2012. – Notenbeisp.
In: Beethoven, Studien und Interpretationen / hrsg. von Mieczysław Tomaszewski ... – Kraków : Akademia Muzyczna. – Bd. 5. – 2012. – S. 25-34
Inv.-Nr. 12.387 * 12.388 HB
Nm 41 / 2022 Youn
Young, David: Beethoven symphonies revisited : performance, expression and impact / David Young. – Brighton ; Chicago ; Toronto : Sussex Academic Press, 2022. – XII, 244 S. : Ill., Faks (Noten), Notenbeisp.
ISBN/ISMN 978-1-78976-123-8
Inv.-Nr. 23.245
Inhalt: Chapter one: introduction. – Status and performance: the changing approaches to performance of the symphonies; the instruments of Beethoven's day. – Critical editions. – Beethoven's sketches. – Critical reception by Beethoven's German and Austrian contemporaries. – Approach. – Sonata form. – Chapter two: Performance of orchestral music in Vienna and environs during the late classical era. – Overview. – Public performances: theatres. – Directing orchestral music. – Public performances: mixed and benefit concerts. – Public performances: other venues. – Ecclesiastical and monastic performances. – Private performances and the decline of the "Hofkapelle". – Decline in demand for symphonies. – Chapter three: Symphony number 1 in C, opus 21, 1800. – Overview. – Biographical and contextual considerations. – Stylistic considerations. – . – Summary. – Early critical reception. – Dedication. – Sources for the published editions. – Chapter four: Symhony number 2 in D, opus 36, 1802. – Overview. – Biographical and stylistic considerations. – Summary. – Early critical reception. – Sources for the published editions. – Chapter five: Symphony number 3 in E flat ("Eroica"), opus 55, 1804. – Overview. – The three periods. – Completion and first performances. – Stylistic considerations. – Summary. – Early critical reception. – Sources for the published editions. – Chapter six: Symphony number 4 in B flat, opus 60, 1806. – Overview. – Biographical considerations. – Stylistic considerations. – Summary. – Early critical reception. – Sources for the published editions. – Chapter seven: symphony number 5 in c minor, opus 67, 2808 and symphony number 6 in F ("Pastorale"), opus 1808. – Overview. – Biographical considerations. – First performance of the two symphonies. – Stylistic considerations: fifth symphony. – Early critical reception: fifth symphony. – Sources for the published editions: fifth symphony. – Stylistic considerations: sixth symphony. – The fifth and sixth symphonies compared. – Early critical reception: sixth symphony. – Sources for the published editions: sixth symphony. – Chapter eight: Symphony number 7 in A, opus 92, 1812 and symphony number 8 in F, opus 93, 1812. – Overview. – Biographical considerations. – First public performances. – Stylistic considerations: seventh symphony. – Summary: the seventh. – Early critical reception: seventh symphony. – Sources for the published editions: seventh symphony. – Stylistic considerations: eighth symphony. – Summary: the eighth. – Early critical reception: eighth symphony. – Sources for the published editions: eighth symphony. – Chapter nine: Symphony number 9 in d minor, opus 125, 1824. – Overview. – Biographical and contextual considerations. – Stylistic considerations. – Summary. – Sources for the published editions. – Early critical reception. – Chapter ten: summary and conclusions. – Appendix: Chronology of Beethoven's symphonies