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Nm 21 / 2007 Skow

Skowroneck, Tilman:
Beethoven the pianist : biographical, organological and performance-practical aspects of his years as a public performer / Tilman Skowroneck. – Göteborg : Göteborg University, 2007. – 424 S. : Faks. (Noten), graph. Darst., Notenbeisp. – (Skrifter från Institutionen för musikvetenskap, Göteborgs universitet ; 84)

Zugl.: Göteborg, Universität, Diss., 2007

ISBN/ISMN 978-91-85974-00-9

Inv.-Nr. 07.665

Inhalt (grob): Introduction. – Part I: Beethoven's relationship to keyboard playing and keyboard instruments. – Introduction. – Bonn. – 1. Early musical education, instruments, activities. – 2. Composition student and court musician. – 3. 1791: early reports of Beethoven's playing. – Vienna. – 1. Beethoven and Viennese keyboard culture. – 2. Beethoven's preferred keyboard instruments until 1803. – 3. The 1803 Erard grand piano. – Part II: Sound ideal and performance. – Introduction. – 1. The builder's influence. – 2. The player's influence. – Part III: Sound ideal and notation: Beethoven, stylistic change and the communication of performance directions for the early piano. – Introduction. – 1. Common touch and legato. – 2. The performance of Beethoven's trills. – Conclusion. – Appendix. – Bibliography. – Index of names.

Schlagwörter:
Beethoven, Ludwig van / Klavier / Klavierbau
Beethoven, Ludwig van / Pianist / -1809
Beethoven, Ludwig van / Aufführungspraxis
Beethoven, Ludwig van / Legato

Nm 21 / 2007 Skow 2010

Skowroneck, Tilman:
Beethoven the pianist / Tilman Skowroneck. – Cambridge : Cambridge University Press, 2010. – X, 274 S. : Faks. (Noten), graph. Darst., Notenbeisp. – (Musical performance and reception)

Zugl.: Göteborg, Universität, Diss., 2007

ISBN/ISMN 978-0-521-11959-7

Inv.-Nr. 12.550

Inhalt (grob): Introduction. – Part I Beethoven, his playing, and his instruments. – Introduction. – 1 Beethoven's early training. – 2 Beethoven the pianist. – 3 Beethoven's first decade in Viennna. – 4 The 1803 Erard grand piano. – Part II Sound ideal and performance. – Introduction. – 5 The builder's influence. – 6 The player's influence. – Part III Sound ideal, notation, and stylistic change. – Introduction. – 7 Common touch and legato. – 8 The performance of Beethoven's trills. – Epilog. – Bibliography. – Index.

Schlagwörter:
Beethoven, Ludwig van / Klavier / Klavierbau
Beethoven, Ludwig van / Pianist / -1809
Beethoven, Ludwig van / Aufführungspraxis
Beethoven, Ludwig van / Legato

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