Nm 62 / 2003 Mann
Mann, Melissa Elliot:
The creation of a canon : patterns in reception of Beethoven's piano sonatas / Melissa Elliot Mann. – 2003. – V, 235 S. : zahlr. Notenbeisp.
Papierkopie erschienen im Verlag University Microfilms International (Pro Quest), Ann Arbor, Mich. – Enthält eine Tabelle, die Kritiken von Beethovens Klaviersonaten in deutschen und englischen Zeitschriften vor 1827 verzeichnet (S. 10).
Storrs, Conn., Univ. of Connecticut, Diss., 2003
UMI order number: 3089751
Inv.-Nr. 07.1024
Inhalt (grob): Introduction. – 1. The changing sonata aesthetics: early reception of Beethoven's sonatas. – Functions of the early classical keyboard sonata. – Formal elements. – Toward idealism. – Manifestations of organicism. – 2. New directions in criticism: A. B. Marx's reviews of opp. 109, 110, and 111. – Context of the early reviews. – Marx's reviews of opp. 109, 110, and 111. – 3. Programmatic troping: critical approaches to individual sonatas in the nineteenth century. – Poetic tropes. – Narrative tropes. – Biographical tropes. – 4. Broader perspectives: a discussion of selected nineteenth-century books on the piano sonatas. – The case for periodization: Lenz and Elterlein. – Pedagogical perspectives: Marx and Reinecke. – Willibald Nagel's "Beethoven und seine Klaviersonaten". – Epilogue: the canonic legacy of the Beethoven piano sonatas. – Selected bibliography.
- Schlagwörter:
- Beethoven, Ludwig van / Klaviersonate / Rezeption / -1900
- Beethoven, Ludwig van / Klaviersonate / Musikkritik / -1900
- Beethoven, Ludwig van / Klaviersonate / Rezeption / Marx, Adolf Bernhard / Lenz, Wilhelm von / Elterlein, Ernst von / Nagel, Wilibald
- Beethoven, Ludwig van / op. 109 / op. 110 / op. 111 / Rezeption / Marx, Adolf Bernhard
- Beethoven, Ludwig van / Kanonisierung / Musik / -1900
- Beethoven, Ludwig van / Bildungskanon / Musik / -1900
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