Nc 6 / 1986 Beet
The role of dynamics in Beethoven's instrumental music : Miriam Sheer, Bar-Ilan University, Israel ; Beethoven dissertations in progress. – 1987
Vorabbesprechung der Dissertation von M. Sheer (erschienen 1989).
In: The Beethoven newsletter / San José State University. – 2 (1987), S. 19
Inv.-Nr. 92.001 HB
Permalink
Sheer, Miriam: The structural functions of dynamics in Beethoven's instrumental works / Miriam Sheer. – 1990. – Portr., Faks. (Noten), graph. Darst., Notenbeisp.
In: The Beethoven newsletter / San José State University. – 5 (1990), S. [53], 62-66
Inv.-Nr. 92.003 HB
Nm 33 / 1990 Shee
Sheer, Miriam: The role of dynamics in Beethoven's instrumental works / Miriam Sheer. – 1990
Papierkopie erschienen im Verlag: University Microfilms International, Ann Arbor. – Ausg. in einem Band.
Ramat-Gan, Bar-Ilan Univ., Diss., 1990
UMI order number: 9131143
Inv.-Nr. 92.141
Vol. 1. – 1989. – III, 505 S. : graph. Darst., Notenbeisp.
Vol. 2. Notes for chapters I to V and appendix. – 1989. – 23 gez. S.: graph. Darst.
P / 1982 Jour Z 5206
Sheer, Miriam: Patterns of dynamic organization in Beethoven's "Eroica" symphony / Miriam Sheer. – 1992. – Zahlr. graph. Darst., Notenbeisp.
In: The Journal of musicology. – 10 (1992), S. 483-504
Inv.-Nr. 92.194 * 97.117
2 Ex.
Nc 6 / 1992 Beet
Sheer, Miriam: Comparison of dynamic practices in selected piano sonatas by Clementi and Beethoven / Miriam Sheer. – 1996. – Notenbeisp.
In: Beethoven forum. – 5 (1996), S. 85-101
Inv.-Nr. 97.215 HB
Abschnitte: Dynamic vocabulary. – Loudest peaks and climaxes. – Lowest points or spans. – Dynamic development of phrases and themes. – Dynamic levels and points of change. – Graduated dynamics. – Accents. – Silent beats or measures. – Conclusions.
P / 1982 Jour
Sheer, Miriam: Dynamics in Beethoven's late instrumental works : a new profile / Miriam Sheer. – 1998. – Notenbeisp.
In: The journal of musicology. – 16 (1998), Nr. 3: New perspectives on Beethoven sources and style, S. 358-378
Inv.-Nr. 98.591
Abschnitte: Sublimation and restraint. – Reduced use of loud levels. – Exploration of soft levels. – A new sense of balance. – Long-range planning. – Simplicity. – Subtlety and heightened attention to detail. – Pauses.
P / 1982 Jour Mc 2 CHUR / 2001 Jour
Sheer, Miriam: The Godard-Beethoven connection : on the use of Beethoven's quartets in Godard's films / Miriam Sheer. – 2001
In: The journal of musicology. – 18 (2001), S. 170-188
Inv.-Nr. 02.001 * 03.283