Z 11304
Anson-Cartwright, Mark: Chromatic features of Eb-major works of the classical period / Mark Anson-Cartwright. – 2000. – Zahlr. Notenbeisp.
Fotokopie.
Rilm 00:22697
In: Music theory spectrum. – 22 (2000), S. 177-204
Inv.-Nr. 11.221
Permalink
Z 13143
Anson-Cartwright, Mark: Concepts of closure in tonal music : a critical study / Mark Anson-Cartwright. – 2007
Ein Beispiel ist op. 55. – Fotokopie.
Rilm 07:07496
In: Theory and practise. – 2007, H. 32, S. 1-17
Inv.-Nr. 15.784
Z 10427
Anson-Cartwright, Mark: Temporal spaces and thematic development in Beethoven's music / Mark Anson-Cartwright. – 2009. – Notenbeisp.
Erweiterte Fassung eines Referats gehalten bei der Dublin International Conference on Music Analysis im Juni 2005. – Fotokopie. – S. a. im Internet: http://upers.kuleuven.be/sites/upers.kuleuven.be/files/page/files/2009%5F2%5F2.pdf.
In: Dutch journal of music theory. – 14 (2009), S. 114-125
Inv.-Nr. 09.1001
Abschnitte: Presentation and manipulation of "space". – The Largo assai ed espressivo from the "Ghost" trio, op. 70 no. 1. – Temporal space in relation to concepts of diminuation.
Mf 343 / 2013 Hort
Anson-Cartwright, Mark: Beethoven: structural principles and narrative strategies / Mark Anson-Cartwright. – 2013
In: The Cambridge companion to the symphony / edited by Julian Horton. – Cambridge [u.a.] : Cambridge University Press, 2013. – S. 174-189
Inv.-Nr. 13.401
Abschnitte: Formal articulation. – Ambiguity. – Chromatic gambits. – Rhythm and temporality. – Finales.
Z 14066,2
Anson-Cartwright, Mark: Nancy November, "Beethoven's theatrical quartets": opp. 59, 74 and 95 : (Cambridge: Cambridge University Press, 2013). / [rezensiert von Mark Anson Cartwright]. – 2018
In: Music analysis. – 32 (2018), S. 251-257
Inv.-Nr. 18.868