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Husarik, Stephen:
Musical direction and the wedge in Beethoven's high comedy, "Grosse Fuge" op. 133 / Stephen Husarik. – 2012. – Notenbeisp.

Fotokopie.

In: The musical times. – 153 (2012)=Nr. 1920, S. 53-66

Inv.-Nr. 12.755

Schlagwörter:

Beethoven, Ludwig van / op. 133 / Rezeption

Beethoven, Ludwig van / op. 133 / Analyse

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Mf 32 / 2016 Speck

Husarik, Stephen:
Gluck's theme and the surrender of ornamentation to the countersubjects in Beethoven's "Grosse Fuge", opus 133 / Stephen Husarik. – 2016. – Notenbeisp.

In: The string quartet : from the private to the public sphere / edited by Christian Speck. – Turnhout : Brepols, 2016. – ( Speculum musicae ; 27). – S. 251-261

Inv.-Nr. 16.575

Abschnitte: The unbalanced cantus firmus. – Comedic structure. – Thematic transformation. – The balanced finale.

Schlagwörter:

Beethoven, Ludwig van / op. 133 / Thema / Skizze

Beethoven, Ludwig van / op. 133 / Thema / Rezeption / Gluck, Christoph Willibald / Orphée et Euridice <Ballet des ombres heureuses>

Beethoven, Ludwig van / op. 133 / Entstehung

Beethoven, Ludwig van / op. 133 / Analyse

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