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Nc 6 / 1986 Beet

Meredith, William:
The history of the "Eroica" variations and Daniel Steibelt's Fortepiano quintet, opus 28 no. 2 : the Westerby-Meredith hypothesis / William Meredith. – 2012. – Portr., Notenbeisp.

In: The Beethoven journal / San José State University. – 27 (2012), No. 1, S. 26-44

Inv.-Nr. 12.821 HB

Abschnitte: I. Introduction: Ferdinand Ries' version of the duels between Daniel Steibelt and Beethoven in 1800. – II. Ignaz Schuppanzigh's reference in 1825 to the duels. – III. Beethoven's opus 11 and Steibelt's "improvisation" on the same theme. – IV. Dating Ries' anecdote and identifying the quintet. – V. Testing Steibelt's opus 28 no. 2, against Beethoven's bass theme in opus 35. – VI. Beethoven's fourfold use of the bass theme (late 1800 through october 1802). – VII. Why was Beethoven so outraged at Count von Fries' salon?. – VIII. Summary and conclusions. – Notes.

Schlagwörter:

Beethoven, Ludwig van / Steibelt, Daniel

Beethoven, Ludwig van / op. 11 / Steibelt, Daniel / Improvisation

Beethoven, Ludwig van / Improvisation / Steibelt, Daniel / Quintett, Violine 1,2 Viola Violoncello Klavier op. 28,2

Beethoven, Ludwig van / op. 35 / Thema / Steibelt, Daniel / Quintett, Violine 1,2 Viola Violoncello Klavier op. 28,2

Steibelt, Daniel / Biographie

Steibelt, Daniel / Rezeption / Tomášek, Václav Jan

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