Nc 5 / 2012 New B
Second New Beethoven Research Conference : abstracts ; New Orleans, LA October 31 and November 1, 2012. – New Orleans, LA, 2012. – [16] S.
Enthält Abstracts von folgenden Vorträgen: Churgin, Bathia: Beethoven's Handel and the Messiah Copies. Lester, Joel: What Beethoven might have learned from J. S. Bach. Wilson, John David: Of hunting, horns, and heroes: a brief istory of E-flat major before the Eroica. Loos, Helmut: Arnold Schmitz as a Beethoven scholar: achievement and impact. Appel, Bernhard R.: Model and emulation: Beethoven and E. T. A. Hoffmann's grand trio. Balter, Tamara: Parody of learned style in Beethoven's chamber music. Whiting, Steven: Finale finally, finely: the recycled presto in Beethoven's opus 47. Heinemann, Michael: Suspended time: the fugue in the credo of the Missa Solemnis. Theurer, Michiko: Playing with time: The Heiliger Dankgesang and the evolution of narrative liberation in op. 132. Dufner, Jens: Beethoven and the copyist: written dialogues. Rule, Marie Rivers: Tracking trends in Beethoven's compositional style: manuscript materials from Nottebohm's Nachlass. Gosman, Alan: Beethoven's sketches for Vestas Feuer and their relationship to the "Eroica" symphony and Leonore. Lockwood, Lewis: Transformation within the frame: Beethoven's revision of the first movement of the cello sonata in A Major, opus 69.
Inv.-Nr. 13.246
- Schlagwörter:
- Kongress / New Orleans / 2012 / Beethoven, Ludwig van
- New Orleans / Kongress / 2012 / Beethoven, Ludwig van
- Beethoven, Ludwig van / Kongress / New Orleans / 2012
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