Z 12823
Albinsson, Staffan:
Early music copyrights : did they matter for Beethoven and Schumann? / Staffan Albinsson. – 2012. – Graph. Darst.
Mit kroat. Zusammenfassung. – Fotokopie.
Rilm 12:13692
In: International review of the aesthetics and sociology of music. – 43 (2012), S. 265-302
Inv.-Nr. 15.240
Abschnitte: 1. Introduction. – 2. The beginning of an "originator consciousness". – 3. Fundamental economics of composing. – 4. Musical public and non-public domains. – 5. Early copyright legislation. – 5. [!] Printing technologies. – 6. The paradigm shift of music creation in the Vienna of the 1790s. – 7. Ludwig van Beethoven. – 7.1. The performing artist. – 7.2 Support from nobility: stipends, pensions and dedication fees. – 7.3 Commissions. – 7.4 Publisher's fees. – 7.5 Example: Revenues from symphonies. – 8. Pan-Germanic copyright treatise. – 9. Robert Schumann. – 10. Compsers and publishing after Schumann. – 11. Conclusions. – References.
- Schlagwörter:
- Beethoven, Ludwig van / Urheberrecht / Einkommen
- Musikverlag / Urheberrecht
- Schumann, Robert / Urheberrecht / Einkommen
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