Nm 41 op. 125 / 2015 Reyn
Reynolds, Christopher A.:
Wagner, Schumann, and the lessons of Beethoven's Ninth / Christopher Alan Reynolds. – Oakland : University of California Press, 2015. – XIV, 212 S. : Notenbeisp.
ISBN/ISMN 978-0-520-28556-9
Inv.-Nr. 15.836
Inhalt: Preface. – Acknowledgements. – Introduction. – 1. Wagner's Faustian unterstanding of Beethoven's Ninth. – 2. The impact of the Ninth to "The flying Dutchman". – 3. Wagner, thematic dispersion, and contrary motion. – 4. Schumann, thematic dispersion, and contrary motion. – 5. Late Schumann, Wagner, and Bach. – 6. Brahms's triple response to the Ninth. – 7. Wagner and Schumann. – Appendix 1: Citations of Wagner's possible allusions and influences in "The flying Dutchman". – Appendix 2: Contrary motion counterpoint in the first movement of Beethoven's Ninth symphony. – Appendix 3: Contrary motion counterpoint in "The flying Dutchman". – Appendix 4: Contrary motion counterpoint in the fourth movement of Schumann's second symphony. – Appendix 5: Contrary motion counterpoint in the first movement of Brahms's First symphony. – Abbreviations. – Notes. – Works cited. – Index.
- Schlagwörter:
- Beethoven, Ludwig van / op. 125 / Rezeption / Schumann, Robert / Wagner, Richard / Brahms, Johannes
- Beethoven, Ludwig van / op. 125 / Rezeption / Wagner, Richard / Der fliegende Holländer
- Beethoven, Ludwig van / op. 125 / Rezeption / Schumann, Robert / Sinfonie op. 61
- Beethoven, Ludwig van / op. 125 / Rezeption / Brahms, Johannes / Sinfonie op. 68
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