Nm 41 op. 55 / 2009 Byro
Byros, Vasili:
Foundation of tonality as situated cognition, 1730-1830 : an enquiry into the culture and cognition of eighteen-century tonality with Beethoven's "Eroica" symphony as a study / by Vasileios (Vasili) Byros. – 2009. – XVIII, 641 S. : zahlr. Notenbeisp., graph. Darst.
Fotokopie.
New Haven, Conn., Yale Univ., Diss., 2009
Inv.-Nr. 16.305
Abschnitte (grob): Part I. Building a case. – Chapter 1: Towards a case study: Eroica "readings". – I. Three strains of reception history. – II. Tje "Eroica" as case study. – III. Implications of the G minor strain: the psychology of convention. – IV. Implications of the E-flat major strain: The psychology of structural hearing. – V. "Archaeology" and "spaces of knowledge". – Part II. The collective memory of a schema. – Chapter 2: "Förmlich" and the eighteenth-century culture of "modulation": reconstructing the "interpretation grid". – I. "... wo man förmlich nahc G moll glaubt geleitet zu werden" und Gottfried Weber's "habits of the ear". – II. Towards an interpretational grid. – III. Cognitive implications of the "grid". – Chapter 3: A chromatic turn of phrase: the le - sol - fi - sol schema. – I. Defining a corpus. – II. A chromatic turn of phrase. – III. The collective memory of the schema in space and time. – Part III: Theoretic fall out. – Chapter 4: Frameworks for situated cognition. – I. Music-theoretic precedents. – II. Leonard Meyer's style programe: early schema theory in music. – III. The schema as epistemological centre. – Chapter 5: The schema concept. – I. Five foundational properties of a schema. – II. The conceptual resonance of the "le - sol - fi - sol". – Part IV: "Endgame". – Chapter 6: Towards an "Archaeology" of hearing. – I. The paradox of historical listening. – II. Complementary cases. – III. Classical scripts and romantic plans. – Notes. – Volume II: Examples, appendices, and Bibliography
Vol. I. Text. – 2009. – XVIII, 361 S.
Vol. II. Examples, appendices, and bibliography. – 2009. – S. 363-641 : zahlr. Notenbeisp., graph. Darst.
- Schlagwörter:
- Beethoven, Ludwig van / op. 55 / Tonalität / Tonart
- Beethoven, Ludwig van / op. 55 / Musikhören
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