Mf 45 / 2007 Will
Willet, Eugene Kenneth:
Music as "Sinthome" : Joy riding with Lacan, Lynch, and Beethoven beyond postmodernism / by Eugene Kenneth Willet. – Ann Arbor, Mich. : UMI, 2007. – 159 S. : Portr., Ill., Notenbeisp.
Papierkopie erschienen im Verlag University Microfilms, Ann Arbor, Mich.
Austin, Tex., Univ. of Texas, Diss. 2007
UMI order number: 3277874
Inv.-Nr. 16.1018
Inhalt: List of musical examples. – List of figures. – List of tables. – Chapter one: Introduction. – Issues of music in the films of David Lynch. – Lynch and musical scholarship. – Introduction by Lacan: real, symbolic, imaginary (RSI). The real nature of objet a. – "Jouissance" and beyond pleasure. – Chapter summaries. – Chapter two: Korsyn and the crises of musical discourse. – All-or-nothing from the tower of Babel. – Deception and the ministry of truth. – Postmodern ennui, irony and "The Simpsons effect". – Chapter three: Music, violence, and "Jouissance" from orange to blue. – Music and violence in orange. – Music and violence in blue. – "A clockwork orange" and music as object a. – "Blue velvet" and phallic "Jouissance". – Chapter four: Traversing the fantasy and music criticism on the "Lost highway". – Why the need to traverse the fantasy?. – Music's role in traversing the "Lost highway". – A failure of the symbolic and psychosis: Music criticism on the "Lost highway". – Chapter five: "Mulholland drive" and music as "Sinthome". – Blankness of object a as just another layer of fantasy. – What is "Sinthome"?. – "Mulholland drive" and music as fantasy. – Beyond "Lost highway": "Mulholland drive" and music as "Sinthome". – Identification with the "Sinthome" as a Repositioning of "Jouis-sens". – Chapter six: Beethoven and "Jouis-sens"; or learning to enjoy the ninth. – Lynch and the musical crisis of symbolic. – Moving beyond the postmodern: Performation and the new sincerity. – Performatisms of the ninth. – Bibliography. – Vita.
- Schlagwörter:
- Lynch, David / Film / Filmmusik
- Lynch, David / Blue velvet / Mulholland drive / Lost highway / Filmmusik
- Lynch, David / Film / Lacan, Jacques / Psychoanalyse
- Beethoven, Ludwig van / op. 125 / Freude / Psychoanalyse
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