Me 5 / 2017 Fine
Fine, Abigail: Objects of veneration : music and materiality in the composer-cults of Germany and Austria, 1870-1930 / Abigail Fine. – 2017. – XIII, 414 S. : Ill., Notenbeisp.
Online-Fassung im Internet: https://knowledge.uchicago.edu/search?ln=en&p=fine%2C+abigail&f=&sf=&so=d&rg=25.
Chicago, University of Chicago, Diss., 2017
Inv.-Nr. 18.196
Inhalt (grob): List of musical examples. – List of figures. – List of tables. – Acknowledgements. – Abstact. – Chapter 1: Beethoven's death and the physiognomy of late style. – Introduction. – Part I: Material Reception. Beethoven's (death) mask. The cult of the face. – Part II: Musical reception. Musical physiognomies. Lateness: Transcendence and decay. Voice and gaze in Beethoven's late adagios. – Chapter 2. – Beethoven's nativity: Performing devotions at the birth-house museum in Bonn. – Introduction. "Ehrenpflicht": The duty to preserve. Beethoven's nativity. Performing devotions. – Chapter 3: ""Ganz Wien ist ein Beethovenhaus": Mourning the death-house in Vienna, 1903. – Introduction. The "Abschiedsfeier": Farewell to a dead house. Protest and acceptance. Alois Riegl and the life of monuments. Living history. Tourists and Pilgrims. Petrifying Vienna. "Ganz Wien ist ein Beethovenhaus!". – Chapter 4: Mozart on the mountaintop: Secular ritual at the Magic flute cottage in Salzburg. – Epilogue. – Appendices. – Bibliographie.
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P / 1977 Nine
Fine, Abigail: Beethoven's mask and the physiognomy of late style / Abigail Fine. – 2020. – Ill., Portr., Notenbeisp.
Digital s. https://doi.org/10.1525/ncm.2020.43.3.143.
In: Nineteenth-century music. – 43 (2019/2020), S. 134-169
Inv.-Nr. 19.733
Abschnitte: Beethoven's (death) mask. – The cult of the face. – Musical physiognomies. – Transcendence and decay. – Voice and gaze. – Epilogue: "Meine Lieder werden leben". – Abstract.
Z 16466
Fine, Abigail: Assimilating to art-religion : jewish secularity and Edgar Zilsel's geniereligion (1918) / Abigail Fine. – 2020
Ausdruck aus dem Internet vom 6.10.2020: http://elischolar.library.yale.edu/yjmr/vol6/iss2/2.
In: Yale Journal of music and religion. – 6 (2020), H. 2, S. 9-32
Inv.-Nr. 21.1228