Nm 41 / 1995 Salo
Saloman, Ora Frishberg:
Beethoven's symphonies and J. S. Dwight : the birth of American music criticism / Ora Frishberg Saloman. – Boston, Mass. : Northeastern University Press, 1995. – XI, 241 S. : 1 Portr.
ISBN/ISMN 1-55553-216-0
Inv.-Nr. 96.1223
Inhalt: Introduction. – Part one : approaches to Beethoven's symphonien, 1835-1842: 1. New perspectives on Dwight's transcendentalism and posthumous reputation. 2. Friedrich Schiller, Thomas Carlyle, and Dwight's humanistic conception of Beethoven's music, 1835-1839. 3. Dwight's discovery of German music criticism in A. B. Marx's "Beethoven". 4. Dwight and William Gardiner, English Beethoven enthusiast, 1835-1838. 5. A German musician and Editor in Boston: H. Theodor Hach as guide, 1839-1842. – Part two : responses to Beethoven's symphonies in orchestral performance 1843-1846: 6. E. T. A. Hoffmann, Gottfried W. Fink, Hach, and Dwight's theory of criticism applied to the symphonic genre, 1843-1844. 7. Frédéric Kalkbrenner's Beethoven transcriptions, 1842-1845; symphonies versus chamber music, 1844-1845. 8. Fourierist aspects of Dwight's major essays, 1844-1845. 9. Dwight in New York: Beethoven in the lecture plan, 1845-1846; the first American performance of the ninth symphony, 1846. 10. Conclusion: Dwight's symphonic Beethoven standard, 1846. – Notes. – Works cited. – Index
- Schlagwörter:
- Beethoven, Ludwig van / Sinfonie / Rezeption / USA / Musikkritik / Dwight, John Sullivan / 1835-1846
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