P / 1977 Nine
Beghin, Tom: Three builders, two pianos, one pianist : the told and untold story of Ignaz Moscheles's concert on 15 december 1823 / Tom Beghin. – 2000. – Faks. (Brief), Ill., Notenbeisp.
In: Nineteenth-century music. – 24 (2000/2001), S. 115-148
Inv.-Nr. 01.002
Permalink
Z 13419
Skowroneck, Tilman: A Brit in Vienna : Beethoven's broadwood piano / Tilman Skowroneck. – 2012. – graph. Darst., Ill., Notenbeisp.
Fotokopie.
In: Keyboard perspectives. – 5 (2012), S. 41-82
Inv.-Nr. 16.132
Abschnitte: A gift unpacked: Thomas Broadwood, Potter, and Streicher, 1818. – Matthäus Andreas Stein and the hearing machine, 1820. – Repairs to a five-year-old instrument, 1823. – Moscheles and Leschen December 1823. – Das Ende vom Lied. – Practical matters: compass and works. – Conclusion. – Appendix 1: Ehrende Auszeichnung. – Appendix 2: Beethoven's Broadwood: A construction project / a note from Tom Beghin.
Me 5 / 2015 Appe No 284 / 25
Beghin, Tom: The lady named on the title page : the rhetoric of dedication in Haydn's keybord works / Tom Beghin. – 2015. – Portr,. Ill., Notenbeisp.
In: Widmungen bei Haydn und Beethoven : Personen - Strategien - Praktiken ; Bericht über den internationalen wissenschaftlichen Kongress Bonn, 29. September bis 1. Oktober 2011 / hrsg. von Bernhard R. Appel ... – Bonn : Verlag Beethoven-Haus, 2015. – (Veröffentlichungen des Beethovenhauses in Bonn : Reihe 4, Schriften zur Beethoven-Forschung ; 25). – S. 93-120
Inv.-Nr. 15.291 * 15.290 VE * 15.292 HB
3 Ex.
Gd 1368 Gd 1369
Beghin, Tom: Inside the hearing machine : Beethoven on his broadwood ; piano sonatas opus 109, 110 and 111 / Tom Beghin. [Orpheus Instituut]. – [S.l.] : Evil Penguin Records Classic production, 2017. – 1 CD ; 12 cm + Booklet
Interpr.: Tom Beghin. – Aufnahme: Sint-Truiden, Belgien, Academiezaal, 19-21. Juli 2016. – Die Aufnahmen sind nach verschiedenen akustischen Aspekten bearbeitet. – Das reich bebilderte Booklet enthält u.a.: Wallace, Robin: The deaf composer and his broadwood. Beghin, Tom: Beethoven's broadwood, Stein's hearing machine, and a trilogy of sonatas. Wulfrank, Thomas: The acoustics of Beethoven's hearing machine. Francisco, Martha: Recording Beethoven's Broadwood. – S.a. die Website: https://www.insidethehearingmachine.com/ mit Dokumentarfilm u.a.
UPC 608917721324. – Spiegelnr.: 17-09/8859-0010
Inv.-Nr. 2018.063 * 2018.064
2 Ex.
Mo 2 / 2017 Impe
Beghin, Tom: The c-natural that whants to be a c-sharp : visions and realities of Beethoven's Broadwood / Tom Beghin. – 2017. – Faks. (Noten), Ill., Notenbeisp.
Im Anhang eine Übersetzung der Rezension von Adolf Bernhard Marx über die Schlesinger-Ausgabe von Beethovens op. 109 in der Berliner allgemeinen musikalischen Zeitung vom 4. Febr. 1824.
In: Artistic research in music : discipline and resistance ; artists and researchers at the Orpheus Institute / ed. by Jonathan Impett. – Leuven : Leuven Univ. Pr., 2017. – S. 43-87
Inv.-Nr. 18.964
Abschnitte: A gift from London: Beethoven's Broadwood. – A Beethoven piano. – Beethoven sits down at his English instrument. – The c[-natural] wants to be a c#. – An early review of opus 109. – A bi cromatic idea. – Acknowledging the "mistake" of C#. – Feeling and seeing vibrations. – Vibrations: variation 4 and opus 109, third movement. – Seeing moving parts. – A hearing exercise. – A closing anecdote: the master makes a "mistake".
Z 14802
Moseley, Roger: Beethoven's resounding deafness / [rezensiert] von Roger Moseley. – 2017. – Ill.
Rezension der CD von Tom Beghin: Inside the hearing machine: Beethoven on his Broadwood - piano sonatas opus 109, 110 and 111. – Fotokopie.
Rilm 17:31829
In: Keyboard perspectives. – 10 (2017), S. 213-221
Inv.-Nr. 19.246
Nc 2 / 1973 Tyso
Beghin, Tom: Deafly performing Beethovenś last three piano sonatas / Tom Beghin. – 2020. – Faks. (Noten), Ill., Notenbeisp.
In: Beethoven studies / ed. by Keith Chapin ... – Cambridge [u.a.] : Cambridge University Press. – 4 (2020). – S. 209-238
Inv.-Nr. 21.1007 HB * 21.1353
Nm 25 / 2022 Begh
Beghin, Tom: Beethoven's French piano : a tale of ambition and frustration / Tom Beghin. – Chicago and London : The University of Chicago Press, 2022. – XXI, 410 S. : Faks. (Brief, Noten), Ill., graph. Darst., Notenbeisp.
ISBN/ISMN 9780226818351
Inv.-Nr. 22.861
Inhalt (grob): Introduction. Parallel titles. – 1. Aspirations and entanglements. – Vignette 1. The letter (by Tilman Skowroneck). – 2. The psychology of waiting. – 3. Malleability of tone. – 4. The lure of "una corda". – Vignette 2. Two visitors in Paris (with Robin Blanton, Michael Pecak, and Tilman Skowronek). – 5. The perfect instrument. – 6. An unlikely competitor. – 7. Continuous sound. – Vignette 3. A gift not a given (with Robin Blanton). – 8. The vertical/horizontal paradox. – 9. A grand sonata. – 10. A prize-winning teacher. – Vignette 4. Building a replica (Chris Maene in conversation with Robin Blanton). – 11. Revisiting the revisions. – 12. Mixing sound. – Epilogue. Time and resonance. – Acknowledgements. – Appendix A. Beethoven's Erard: A timeline. – Appendix B. Op. 53, 54, and 57: A timeline. – Index.
Nc 6 / 1986 Beet
Bandy, Dorian: Review of Beethoven's French piano: a tale of ambition and frustration by Tom Beghin / [rezensiert von] Dorian Bandy. – 2024
Rezension von Tom Beghin, Beethoven's French piano: a tale of ambition and frustration. Chicago, Chicago University Press, 2022. – Digital s. https://doi.org/10.55917/2771-3938.1006. – Ausdruck aus dem Internet vom 29.5.2024.
In: The Beethoven journal / San José State University. – 36 (2024), [Article 6], 6 Seiten
Inv.-Nr. 24.460 HB