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1
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Tusa, Michael C.:
Die authentischen Quellen der "Eroica"
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1985 |
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2
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Tusa, Michael C.:
Beethoven's "c-minor mood"
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1993 |
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3
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Tusa, Michael C.:
The unknown Florestan
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1993 |
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4
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Tusa, Michael C.:
Some factors for cyclic integration in Beethoven's early music
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1993 |
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5
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Tusa, Michael C.:
Beethoven and opera
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1996 |
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6
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Tusa, Michael C.:
Music as drama
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1996 |
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7
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Tusa, Michael C.:
Noch einmal: form and content in the finale of Beethoven's Ninth Symphony
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1999 |
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8
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Tusa, Michael C.:
Beethoven's essay in opera
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2000 |
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9
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Tusa, Michael C.:
A little-known sketchbook from the year 1814
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2000 |
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10
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Tusa, Michael C.:
Beethoven and the voices of authority
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2005 |
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11
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Tusa, Michael C.:
Late Beethoven: Music, thought, imagination. By Maynard Solomon
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2005 |
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12
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Tusa, Michael C.:
Reading a relationship
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2012 |
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13
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Tusa, Michael C.:
Beethoven's operatic ambitions and struggles
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2015 |
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14
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Tusa, Michael C.:
Le ambizioni e gli sforzi operistici di Beethoven
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2015 |
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15
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Tusa, Michael C.:
On the chronology of the finale of Beethoven's second piano concerto, op. 19
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2016 |
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