Ms 4 / 1995 Kivy
Kivy, Peter: Authenticities : philosophical reflections on musical performance / Peter Kivy. – Ithaca ; London : Cornell University Press, 1995. – 299 S. : Notenbeisp.
ISBN/ISMN 0-8014-3046-1
Inv.-Nr. 97.055
Inhalt: Preface. – One: How to be authentic: One, The concept of authenticity. Two, Authenticity as intention. Three, Authenticity as sound. Four, Authenticity as practice. Five, The other authenticity. – Two: Why to be authentic: Six, The authority of intention. Seven, The authority of sound. Eight, The authority of practice. Nine, The other authority. – Bibliography. – Index
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Ms 4 / 2001 Kivy
Kivy, Peter: The possessor and the possessed : Handel, Mozart, Beethoven, and the idea of musical genius / Peter Kivy. – New Haven ; London : Yale University Press, 2001. – XIV, 287 S. : Portr. – (Yale series in the philosophy and theory of art)
ISBN/ISMN 0-300-08758-6
Inv.-Nr. 02.539
Nc 6 / 1986 Beet
Fleming, Elizabeth: Genius: owned or borrowed? / Elizabeth Fleming. – 2001. – Ill.
Rezension des Buches von Peter Kivy, The possessor and the possessed. Handel, Mozart, Beethoven, and the idea of musical genius. New Haven, Yale University Press, 2001.
In: The Beethoven journal / San José State University. – 16 (2001), S. 81-82
Inv.-Nr. 01.882 HB
Z 10216
Wallace, Robin: The possessor and the possessed: Handel, Mozart, Beethoven, and the idea of musical genius. By Peter Kivy : New Haven: Yale University Press, 2001 / [rezensiert von Robin Wallace]. – 2002
Fotokopie.
In: Notes. – 59 (2002/03), Nr. 1, S. 90-93
Inv.-Nr. 09.635
Z 11686
Davies, Stephen: Kivy, Peter. "The possessor and the possessed: Handel, Mozart, Beethoven, and the idea of musical genius" : Yale University Press, 2001 / [rezensiert von Stephen Davies]. – 2003
Rilm 01:06212-2
In: The journal of aesthetics and art criticism. – 61 (2003), S. 73-74
Inv.-Nr. 12.349
Z 12900
Nater, Urs Markus: P. Kivy, "The possessor and the possessed: Handel, Mozart, Beethoven, and the idea of musical genius" : New Haven, CT: Yale University Press, 2001 / [rezensiert von:] Urs Markus Nater. – 2005
Rilm 01:06212-4
In: Psychology of music. – 33 (2005), H. 1, S. 121-122
Inv.-Nr. 15.354