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3 hits for Klaviermusik / Aufführungspraxis / Pedal
in the index subjects (in german) Ordered by: Author, Title, Year.

Nm 62 / 1993 Brei

Breitman, David:
The damper pedal and the Beethoven piano sonatas : a historical perspective / by David Breitman. – 1993. – VIII, 124 S. : graph. Darst., Notenbeisp.

Papierkopie erschienen im Verlag University Microfilms International, Ann Arbor.

Ithaca, NY, Cornell Univ., Diss. (DMA), 1993

UMI order number: 9318869. – Rilm 93:10493

Inv.-Nr. 97.667

Inhalt: Chapter 1 : introduction: Overview. Motivation for this study. Sources. Old pianos, new pianos : what's the difference?. The status of pedal markings. – Chapter 2 : from harpsichord to fortepiano: A new style of keyboard writing appears. The piano's other ancestor. The piano and the pedal - a bit of organology. Damping on the other keyboard instruments. The pedal and the the new style of keyboard writing. – Chapter 3 : pedal in the sources: Early references for the pedal (C. P. E. Bach. W. A. Mozart. Türk). Earliest pedal indications in scores. Pedaling advice in treaties (Milchmeyer. Adam. Cramer. Hummel). Summary. – Chapter 4 : Beethoven's piano playing: Historical accounts of Beethoven's playing. Two schools of piano playing. Beethoven and Steibelt. Beethoven's pianos. Chpater 5 : Beethoven's pedaling: Early markings. Authentic pedal indications in the piano sonatas. Czerny's instructions for pedaling. – Chapter 6 : looking at hte data: For what puposes did Beethoven indicate pedaling?. How complete are the pedal markings?. Why are there indications at these places, and no others?. Pedaling at the ends of sections or movements. Pedaling for legato. Special notation. When else should we use the pedal?. – Chapter 7 : pedaling in other works of Beethoven: Solo piano works. Concertos. Chamber music. Summary. – Chapter 8: Conclusions. – Bibliography.

Schlagwörter:
Beethoven, Ludwig van / Klaviersonate / Pedal
Beethoven, Ludwig van / Klaviersonate / Aufführungspraxis
Beethoven, Ludwig van / Klavierbau / Pedal
Klavierbau / Pedal
Klaviermusik / Aufführungspraxis / Pedal
Beethoven, Ludwig van / Hammerklavier
Beethoven, Ludwig van / Pianist

Z 14749

Goy, Pierre:
L'art de la pédalisation : peut-on jouer d'après les Urtexte? / Pierre Goy. – 2013. – Ill., Notenbeisp.

Mit einer Bibliographie der Klavierschulen. – Ausdruck aus dem Internet vom 29.01.2019: http://larevue.conservatoiredeparis.fr/index.php?id=683.

In: La revue du conservatoire [Elektronische Ressource] - 2013, Nr. 2, S. 1-34

Inv.-Nr. 19.091

Schlagwörter:
Klaviermusik / Aufführungspraxis / Pedal
Klavier / Aufführungspraxis
Milchmeyer, Philipp Jacob / Schule / Klavier / Aufführungspraxis / Pedal
Adam Louis / Schule / Klavier / Aufführungspraxis / Pedal
Hummel, Johann Nepomuk / Schule / Klavier / Aufführungspraxis / Pedal
Czerny, Carl / Schule / Klavier / Aufführungspraxis / Pedal
Schmitt, Hans / Schule / Klavier / Aufführungspraxis / Pedal

Z 17103

Miucci, Leonardo:
Beethoven's pianoforte damper pedalling : a case of double notational style / Leonardo Miucci. – 2019. – Faks. (Noten), Ill., Notenbeisp., graph. Darst.

Fotokopie.

Rilm 19:22151

In: Early music. – 47 (2019), S. 371-392

Inv.-Nr. 23.333

Inhalt: Pedalling as described in piano treatises. – Pedalling conventions not notated by Beethoven. – Pedal marks in the "Kafka sketchbook". – Beethoven's pedal marks in his authorised editions. – The double notational style. – Beyond Beethoven.

Schlagwörter:
Beethoven, Ludwig van / Klavier / Pedal
Beethoven, Ludwig van / Klaviersonate / Aufführungspraxis
Klaviermusik / Aufführungspraxis / Pedal

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