P / 1852 Dwig
Beethoven's "Sonate pastorale", op. 28 / [A. Kk.]. – 1866
Zur Beethoven-Rezeption von A. B. Marx und E. v. Elterlein, sowie Analyse von op. 28. – Mikrofiche.
In: Dwight's journal of music. – 26 (1866/67), Nr. 5, vom 26.5., S. 241-242; Nr. 6, vom 9.6., S. 250-251
Inv.-Nr. 09.879
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Nm 3 / 1994 Bent
Music analysis in the nineteenth century / ed. by Ian Bent. – Cambridge ; New York ; Melbourne : Cambridge University Press, 1994. – (Cambridge readings in the literature of music)
2 Bd., Fotokopie der Kapitel mit Beethoven-Bezug.
Inhalt (nur vorliegende Kapitel): [Vol. 1:] Preface to volumes I and II. – List ob abbreviations. – General introduction. – Part 1: Analysis of fugue: Introduction. 2. A. Reicha: "Fruitful method of analysing a piece of music with respect to harmony" (?1816-18). – Part 2: Technical analysis of form and style: Introduction. 8. A. Reicha: "Aria ["Non so più"] from Mozart's "The marriage of figaro"" (1814). 9. A. Reicha: "Analysis [of Reicha?: Andante for wind quintet in G] with repect to thematic development" (1826). 11. C. Czerny: "Harmonic groundwork of Beethoven's sonata [No. 21 in C] op. 53 ["Waldstein"] (c. 1832-4). 12. J. C. Lobe: "First-movement form in the string quartet [: Beethoven: Op. 18 no. 2 in G: Allegro] (1850). – Part 3: The classification of personal style: Introduction. 16. Four essays on the style of Beethoven's music: (a) J. A. Schlosser: "Critical assessment of Beethoven's works" (1828); (b) F.-J. Fétis: [The three periods of Beethoven's music] (1837); (c) W. von Lenz: "Beethoven's three styles" (1852); (d) A. D. Ulïbïshev: "Beethoven's three manners" (1857). – Bibliographical essay. – Index. – [Vol. 2:] General introduction. – Part 1: Elucidatory analysis: 2. R. Wagner: "Report on the performance of the ninth symphony of Beethoven" (1846). 3. W. von Lenz: "[Beethoven: Piano sonata in F, op. 10 no. 2]" (1852). E. von Elterlein: "[Beethoven: Piano sonata] in F minor, op. 57 (Appassionata)" (1856). – Part 2: Objective-subjective analysis : the hermeneutic circle: Introduction. – 9. E. T. A. Hoffmann: "[Review: Beethoven's symphony no. 5 in C minor]" (1810). A. B. Marx: "[Beethoven:] The final symphony" (1859). T. Helm: "[Beethoven:] String quartet in A minor, op. 132" (1885). – Afterwords to volumes I and II. – Bibliographical essay. – Index.
Vol. 1. Fugue, form and style. – 1994. – XXI, 368 S. : Notenbeisp. Über Untersuchungen zu Werken Beethovens von Czerny, Lobe, Schlosser, Fétis, Lenz und Oulibichev. – Mit engl. Übers. der Originaltexte. ISBN/ISMN 0-521-25969-X Inv.-Nr. 98.418
Vol. 2. Hermeneutic approaches. – 1994. – XX, 299 S. : Notenbeisp. Über Untersuchungen zu Werken Beethovens von Wagner, Lenz, Elterlein, Hoffmann, Marx, Helm. – Mit engl. Übers. der Originaltexte. ISBN/ISMN 0-521-46183-9 Inv.-Nr. 98.419
Nm 62 / 2003 Mann
Mann, Melissa Elliot: The creation of a canon : patterns in reception of Beethoven's piano sonatas / Melissa Elliot Mann. – 2003. – V, 235 S. : zahlr. Notenbeisp.
Papierkopie erschienen im Verlag University Microfilms International (Pro Quest), Ann Arbor, Mich. – Enthält eine Tabelle, die Kritiken von Beethovens Klaviersonaten in deutschen und englischen Zeitschriften vor 1827 verzeichnet (S. 10).
Storrs, Conn., Univ. of Connecticut, Diss., 2003
UMI order number: 3089751
Inv.-Nr. 07.1024
Inhalt (grob): Introduction. – 1. The changing sonata aesthetics: early reception of Beethoven's sonatas. – Functions of the early classical keyboard sonata. – Formal elements. – Toward idealism. – Manifestations of organicism. – 2. New directions in criticism: A. B. Marx's reviews of opp. 109, 110, and 111. – Context of the early reviews. – Marx's reviews of opp. 109, 110, and 111. – 3. Programmatic troping: critical approaches to individual sonatas in the nineteenth century. – Poetic tropes. – Narrative tropes. – Biographical tropes. – 4. Broader perspectives: a discussion of selected nineteenth-century books on the piano sonatas. – The case for periodization: Lenz and Elterlein. – Pedagogical perspectives: Marx and Reinecke. – Willibald Nagel's "Beethoven und seine Klaviersonaten". – Epilogue: the canonic legacy of the Beethoven piano sonatas. – Selected bibliography.