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10 hits for Ellison, Paul M.
in the index authors and other persons Ordered by: Author, Title, Year.

Nc 6 / 1986 Beet

Ellison, Paul M.:
Russell Martin's Beethoven's hair : New York: Broadway Books, 2000 / [rezensiert von] Paul M. Ellison. – 2000. – Ill.

In: The Beethoven journal / San José State University. – 15 (2000), S. 66-68

Inv.-Nr. 00.768 HB

Schlagwörter:
Rezension

Nc 6 / 1986 Beet

Ellison, Paul M.:
Spector of Austria's nazi past haunts "Ode to joy" at Mauthausen / Paul M. Ellison. – 2000. – Ill.

In: The Beethoven journal / San José State University. – 15 (2000), S. 25-28

Inv.-Nr. 00.768 HB

Schlagwörter:
Beethoven, Ludwig van / op. 125 / Aufführung / Mauthausen / 2000 / Rattle, Simon
Wiener Philharmoniker / Nationalsozialismus
Mauthausen / Konzert <Veranstaltung> / Gedenkfeier / Befreiung / 2000

Nc 6 / 1986 Beet

Ellison, Paul M.:
Beethoven and Schenker : unraveling those graphs, with an explanation of Schenker's analysis of the "Ode to joy" / Paul M. Ellison. – 2001. – Portr., Notenbeisp.

In: The Beethoven journal / San José State University. – 16 (2001), S. 69-73

Inv.-Nr. 01.882 HB

Schlagwörter:
Beethoven, Ludwig van / Schenker, Heinrich
Beethoven, Ludwig van / op. 125 / An die Freude / Analyse / Schenker, Heinrich

Nc 6 / 1986 Beet

Ellison, Paul M.:
Affective organization in Beethoven's Gellert Lieder, opus 48 : affirming Joanna Cobb Biermann's Theory on Beethoven's intended order of the songs / Paul M. Ellison. – 2010. – Portr., Faks. (Notenbeisp.)

In: The Beethoven journal / San José State University. – 25 (2010), S. 18-31

Inv.-Nr. 10.726 HB

Abschnitte: I. Introduction. – II. Historical evidence for Beethoven's use of tonal affect. – III. Circumstantial evidence. – IV. Anecdotical evidence. – V. Empirical evidence. – VI. Conclusion. – Notes.

Schlagwörter:
Beethoven, Ludwig van / op. 48 / Quelle
Beethoven, Ludwig van / op. 48 / Zyklus
Beethoven, Ludwig van / Tonartencharakter
Beethoven, Ludwig van / op. 48 / Tonartencharakter

Nc 6 / 1986 Beet

Ellison, Paul M.:
The "Largo/Allegro" from Beethoven's "Tempest" sonata, op. 31, no. 2 : affective tonality as a key to meaning / Paul M. Ellison. – 2012. – Ill., Notenbeisp.

In: The Beethoven journal / San José State University. – 27 (2012), No. 1, S. 13-25

Inv.-Nr. 12.821 HB

Abschnitte: I. Introduction. – II. Beethoven and his immediate philosophical background. – III. Affective tonality within a work. – IV. Background to Beethoven's "Tempest". – V. Analytical tools. – VI. The exposition (mm. 1-87). – VII. The development (mm. 87-144). – VIII. The recapitulation (mm. 145-228). – IX. Conclusion. – Appendix: Affective praxes of keys in the first movement of the "Tempest" sonata. – Notes.

Schlagwörter:
Beethoven, Ludwig van / op. 31,2 <1. Satz> / Analyse / Tonartencharakter

Nm 33 / 2014 Elli

Ellison, Paul M.:
The key to Beethoven : connecting tonality and meaning in his music / Paul M. Ellison. – Hillsdale, NY : Pendragon Press, 2014. – VIII, 437 S., Notenbeisp. – (The North American Beethoven series ; 7)

Teilw. zugl.: Cardiff, Univ., Diss., 2010

ISBN/ISMN 978-1-57647-202-6

Inv.-Nr. 16.018

Inhalt: Preface. – 1. Beethoven and the background to key symbolism. – 2. Beethoven and meaning in primary keys. – 3. Beethoven and meaning in secondary keys. – 4. Songs and the affective implications of primary tonality. – 5. Songs containing affective modulations to more distant keys. – 6. Songs containing affective modulations to more distant keys. – 7. Vocal and choral music with orchestra: Five case studies. – 8. The "Tempest" sonata: An instrumental case study. – Conclusion: A key to Beethoven. – Select bibliography. – Indices: Index of Beethoven's works. – Index of modes and keys. – Index of names. – Indes of subjects.

Schlagwörter:
Beethoven, Ludwig van / Tonartencharakter / Tonalität
Beethoven, Ludwig van / Vokalmusik / Tonartencharakter
Beethoven, Ludwig van / op. 31,2 / Tonartencharakter

Nc 6 / 1986 Beet

Ellison, Paul M.:
Beethoven on CD / Paul M. Ellison. – 2017. – Ill., Portr.

Rezension der CD: "Kurfürsten sonatas, WoO 47, 50 & 51", Vol. 9 der "Complete works for solo Piano", Interpret Ronald Brautigam, BIS-SACD-1672, Amazon.

In: The Beethoven journal / San José State University. – 32 (2017), Nr. 2, S. 90-91

Inv.-Nr. 17.709 HB

Schlagwörter:
Beethoven, Ludwig van / WoO 47 / WoO 50 / WoO 51 / Einspielung / Brautigam, Ronald / Tonträger / Rezension
Rezension / Tonträger

Z 15367

Ellison, Paul M.:
Harmony in Beethoven. By David Damschroder : Cambridge: Cambridge University Press, 2016 / Paul M. Ellison. – 2018

In: Notes. – 75 (2018/19), S. 310-313

Inv.-Nr. 20.685

Schlagwörter:
Rezension

Nc 6 / 2020 Beet

Ellison, Paul M.:
Beethoven's "Elegischer Gesang" : another "quiet herald" of the late style / Paul M. Ellison. – 2020. – Ill., Notenbeisp.

Zeitschriftenheft digital s. https://indd.adobe.com/view/c79029c0-4583-4df1-9ba4-e233593a4d23.

In: Beethoven newsletter / San José State University, The Ira F. Brilliant Center for Beethoven Studies. – 2020, Summer. – S. 10-15

Inv.-Nr. 22.971 HB

[Abschnitte:] I. Background. – II. August 1814. – III. Intrumentation and analysis. – IV. Postscript. – Endnotes.

Schlagwörter:
Beethoven, Ludwig van / op. 118 / letzte Schaffensperiode
Beethoven, Ludwig van / op. 118 / Anaylse

Nc 6 / 2020 Beet

Ellison, Paul M.:
Chamber scenes: Musical space, medium, and genre c. 1800 / report by Paul Ellison. – 2023. – Ill.

In: Beethoven newsletter / San José State University, The Ira F. Brilliant Center for Beethoven Studies. – 2023, Summer. – S. 30-33

Inv.-Nr. 23.740 HB

Schlagwörter:
Kongress / San José / Ira F. Brilliant Center for Beethoven Studies / 2023 / Beethoven, Ludwig van / Kammermusik
San José / Ira F. Brilliant Center for Beethoven Studies / Kongress / 2023 / Beethoven, Ludwig van / Kammermusik
Beethoven, Ludwig van / Kammermusik / Kongress / San José / Ira F. Brilliant Center for Beethoven Studies / 2023

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