Nc 6 / 1986 Beet
Clubbe, John: The mask of Beethoven : Brutus, revolution, and the Egyptian mysteries / John Clubbe. – 2010. – Ill., Portr.
In: The Beethoven journal / San José State University. – 25 (2010), S. 4-17
Inv.-Nr. 10.726 HB
Abschnitte: I. Introduction. – II. The historical Brutus. – III. The influence of Lucius Junius Brutus on France during Beethoven's lifetime. – IV. Brutus reception in Germany and Austria. – V. Beethoven's revolutionary idealism and music. – VI. The effects of Habsburg censorship on Beethoven and Grillparzer. – VII. Concealment and crypticism. – VIII. The Egyptian sayings, Moses and their appeal for Beethoven. – IX. Censorship, the French Revolution, and Beethoven's veil of silence. – Notes.
Permalink
Nc 2 / 2017 Kind
Kinderman, William: Fünf Quellen aus Beethovens Besitz = Introduction: Five sources from Beethoven's possession / William Kindermann. – 2017. – Portr., Faks. (Brief)
In: Utopische Visionen und visionäre Kunst : Beethovens "Geistiges Reich" revisited = Utopian visions and visionary arts / William Kindermann (Hg./Ed.). – Wien : Der Apfel, 2017. – S. 38-43
Inv.-Nr. 18.199 * 18.230
2 Ex.
Z 15959
Zanden, Jos van der: Republican Beethoven : fact and fiction / Jos van der Zanden. – 2020. – Portr., Ill.
Über Beethovens politische Einstellung und sein Interesse an der Antike (hier Brutus). In Czernys Erinnerungen wird u.a. Beethovens Frisur, ein sog. "Tituskopf" erwähnt. Diese Frisur war Anfang der 1800er Jahre in Mode - nach der Frisur eines Schauspielers, der den Titus 1795 in Voltaires Stück "Brutus" spielte.
In: The Musical Times. – 161 (2020)=Nr. 1953, S. 27-36
Inv.-Nr. 21.297
Abschnitte: A Brutus craze. – The Czerny enigma.