Nm 62 op. 111 / 1988 Gold 1991
Goldstein, Joanna:
A Beethoven enigma : performance practice and the piano sonata, opus 111 / Joanna Goldstein. – [2. Aufl.]. – New York ; Bern ; Frankfurt am Main ; Paris : Peter Lang, 1991. – XX, 309 S. : zahlr. Notenbeisp. – (American University Studies : Series 20 ; 2)
Teilw. zugl.: New York, NY, New York Univ., Diss., 1985 u.d.T.: An Analysis of Interpretation in Selected Performances of Beethoven's Piano Sonata, Opus 111
ISBN/ISMN 0-8204-0537-X
Inv.-Nr. 93.303
Inhalt: Preface. – Acknowledgements. – List of examples. – I. Defining "interpretation". – II. A method for critical listening (introduction; tempo and rhythmic variation: tempo, "ritardando" and "accelerando", "rubato", rhythmic variation, rests and pauses; dynamics: voicing; accentuation; articulation; pedaling; ornamentation; combinative effects of interpretive elements: phrasing, tone, conclusion). – III. Formal and stylistic aspects of performance practice (notation; musical structure: sonata form, theme and variations, motive and melody, harmony; tradition, style, and historicity). – IV. Beethoven and the "Sonata in c minor, opus 111" (introduction; Beethoven's piano; significance of the 32 sonatas; aspects of compositional style in Beethoven's late works; formal aspects of op. 111; notation and editions; Beethoven as pianist: tempo, rhythmic variation, dynamics, accentuation, articulation, pedaling, ornamentation; conclusion). – V. The analysis of an interpretation: a performance by Alfred Brendel. – VI. A performance of op. 111, by Arturo Benedetto Michelangeli. – VII. A performance of op. 111 by Vladimir Ashkenazy. – VIII. Interpretive choices and the variety of musical ideas (tempo and rhythm; dynamics; accentuation; articulation; pedaling; ornamentation; conclusion). – Appendix: recommendations for further study. – Notes. – Bibliography. – Index
- Schlagwörter:
- Beethoven, Ludwig van / op. 111 / Interpretation / Aufführungspraxis
- Beethoven, Ludwig van / op. 111 / Aufführung / Brendel, Alfred / Michelangeli, Arturo Benedetto / Ashkenazy, Vladimir / Analyse
- Aufführungspraxis
- Beethoven, Ludwig van / Pianist
- Höranalyse / Methode
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