Nm 43 / 2004 Fere
Ferencz, Jane Riegel:
"Surely something new" : context and genre of Beethoven's concerto for piano, violin, violoncello and orchestra, op. 56 / by Jane Riegel Ferencz. – 2004. – XI, 323 S. : zahlr. Faks. (Noten) und Notenbeisp.
Papierkopie erschienen im Verlag University Microfilms International (Pro Quest), Ann Arbor, Mich. – Auf S. 134-145 auch über die Concertante Unv 5.
Madison, Wiss., Univ. of Wisconsin-Madison, Diss., 2004
UMI order number: 3143204
Inv.-Nr. 07.1026
Inhalt (grob): List of musical examples. – List of plates. – List of tables. – Introduction. – 1. Composition and context: the early history of op. 56. – Genre and context. – "Symphonie concertante" and multiple concerto. – Multiple concerto and Viennese concert life. – Contemporary composers: Other multiple concertos. – Solo instrumentation in multiple concertos, 1770-1810. – Related works: relationsships and influences. – "Leonore/Fidelio" and the triple concerto: Remembering Mozart? - 2. Performance history. – Early performers and performances. – Anton and Nikolaus Kraft: Life and works. – Critical reception. – Beethoven in context: The triple concerto and Vienna. – 3. Textual sources. – "Landsberg 6" sketches. – "Mendelssohn 15" sketchbook. – "Kessler" sketchbook and Beethoven's "Unfinished concertante". – Manuscript sources. – Cornell fragment - missing autograph? - Berlin score: movement 3. – British Library: Piano solo. – Publication: History and editions. – Editorial additions: 1807 and 1826 parts. – Frankfurt am Main, 1836: Dunst score. – Finale arrangement. – 4. Compositional chronology. – "Kessler" sketchbook and 1802 concertante. – "Landsberg 6" sketches: Overview. – "Mendelssohn 15" sketches. – Sketch to score: Compositional process and chronology in op. 56. – Development from sketches. – 5. Conclusions. – Appendix. – Bibliography.
- Schlagwörter:
- Beethoven, Ludwig van / op. 56 / Entstehung / Quelle
- Beethoven, Ludwig van / Unv 5 / Skizzenbuch / Kessler
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