Nm 31 / 1994 Hatt
Hatten, Robert S.:
Musical meaning in Beethoven : markedness, correlation, and interpretation / Robert S. Hatten. – Bloomington ; Indianapolis : Indiana University Press, 1994. – XVI, 349 S. : Notenbeisp., graph. Darst. – (Advances in semiotics)
ISBN/ISMN 0-253-32742-3
Inv.-Nr. 94.490
Inhalt: Foreword by David Lidov. – Preface. – Introduction. – Part I. Interpretation and theory: 1. A case study for interpretation (the third movement of op. 106). – 2. Correlation, interpretation, and the markedness of oppositions. – 3. From topic to expressive genre. – 4. The pastoral expressive genre (the four movements of op. 101). – 5. The thematic level and the markedness of classical material. – 6. Thematic markedness (the first movements of op. 130 and op. 131). – 7. Beyond the hierarchies of correlation (troping, irony, levels of discourse, and intertextuality). – 8. Analysis and synthesis (the cavatina from op. 130). – Part II. Historical and theoretical perspectives: 9. From the aesthetic to the semiotic. – 10. Further perspectives on musical meaning and cognition. – Conclusion. – Appendix: Abnegation and the new genre. – Glossary. – Notes. – Bibliography. – Index of concepts. – Index of names and works.
- Schlagwörter:
- Beethoven, Ludwig van / Semiotik / Bedeutung / Interpretation
- Beethoven, Ludwig van / op. 106 <3. Satz> / op. 101 / op. 130 <1. Satz> / op. 131 <1. Stück> / op. 130 <5. Satz> / Semiotik
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