Z 10814
Chang, Eddy Y. L.:
The "daiku" phenomenon: social and cultural influences of Beethoven's Ninth Symphony in Japan / Eddy Y. L. Chang. – 2007
Über die Rezeption von Beethovens op. 125 im Japan des 20. Jahrhunderts. – Mit "daiku" wird die neunte Sinfonie in Japan bezeichnet. – Fotokopie.
In: Asia Europe journal. – 5 (2007), H. 1, S. 93-114
Inv.-Nr. 10.154
Abschnitte: Introduction. – The beginning: Meji restoration and westernization. – The appearance of "the ninth". – The indixpensable role of "daiku" during war times. – The transition of "daiku"'s role. – The amplitude of "daiku". – Explaining the phenomen: I. Groupism. – II. Year-end ritual. – III. Conception/perception of the ninth in Japan. – a. Admiration for German culture and "music saint" Beethoven. – b. The message and the surrealism of the ninth. – IV. The popularization of the ninth. – a. Sesonal institutions and customs. – b. Festivities and rituals. – Conclusion. – References.
- Schlagwörter:
- Beethoven, Ludwig van / op. 125 / Rezeption / Japan
- Japan / Kultur / Musikleben / 1924-2000
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