Nc 6 / 2010 Musi
Lodes, Birgit:
"Le congrès danse" : set form and improvisation in Beethoven's Polonaise for piano, op. 89 / Birgit Lodes. Translated by Sabine Ladislav. – 2010. – Ill., Notenbeisp.
In: The musical quarterly. – 93 (2010), No. 3-4, S. 414-449
Inv.-Nr. 11.632
Abschnitte: The polonaise: A Russion national anthem as a class marker. – Empress Elizabeth Alexeievna as dedicatee of polonaises. – The polonaise as aethetic and compositional challenge. – The opening of op. 89: Extemporization. – The polonaise theme from op. 89: Courtly roules with free elements. – Set from and improvisations in op. 89. – The coda of op. 89. – Conclusion. – The op. 89 polonaise as expression of gratitude, or the notating improviser. – Epilogue. – Appendix. Fragment of a letter by Beethoven to an acquaintance in Vienna. – Notes.
- Schlagwörter:
- Beethoven, Ludwig van / op. 89 / Wiener Kongress
- Polonaise / Russland / Polen
- Elisabeth <Russland, Zarin, 1779-1826> / Polonaise / Widmung
- Beethoven, Ludwig van / op. 89 / Analyse
Permalink