Nc 6 / 1986 Beet
Meredith, William: The history of the "Eroica" variations and Daniel Steibelt's Fortepiano quintet, opus 28 no. 2 : the Westerby-Meredith hypothesis / William Meredith. – 2012. – Portr., Notenbeisp.
In: The Beethoven journal / San José State University. – 27 (2012), No. 1, S. 26-44
Inv.-Nr. 12.821 HB
Abschnitte: I. Introduction: Ferdinand Ries' version of the duels between Daniel Steibelt and Beethoven in 1800. – II. Ignaz Schuppanzigh's reference in 1825 to the duels. – III. Beethoven's opus 11 and Steibelt's "improvisation" on the same theme. – IV. Dating Ries' anecdote and identifying the quintet. – V. Testing Steibelt's opus 28 no. 2, against Beethoven's bass theme in opus 35. – VI. Beethoven's fourfold use of the bass theme (late 1800 through october 1802). – VII. Why was Beethoven so outraged at Count von Fries' salon?. – VIII. Summary and conclusions. – Notes.
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Mi 33 / 2021 Keyb
Skowroneck, Tilman: Preparing for Paris : Beethoven and French musicianship / Tilman Skowroneck. – 2021
Abschnitte: Three cellists. – Rodolphe Kreutzer. – Daniel Steibelt. – Joseph Haydn. – Anton Reicha.
In: Keyboard perspectives. – 8 (2021), S. 1-19
Inv.-Nr. 22.876