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Viotti, Giovanni Battista / Dalayrac, Nicolas / Gossec, François-Joseph / Pleyel, Ignaz / Streichquartett
in the index subjects (in german)  

Mf 32 / 1971 Levy

Levy, Janet M.:
The quatuor concertant in Paris in the latter half of the eighteenth century / Janet Muriel Levy. – 1971. – XIII, 403 S. : zahlr. Notenbeisp.

Einige Textpassagen in dt. oder franz. Sprache.

Stanford, California, Univ., Diss., 1971

Inv.-Nr. 13.327

Inhalt: Preface. – I. Introduction and social milieu. – Introduction. – A musical market. – Printed parts as sources for this study. – Titles. – Criteria and procedures of selection used for this study. – Social milieu. – II. The term "quatuor concertant": constructing a definition. – III. General characteristics of the style. – Aspects of thetoric and expression. – Introduction. – Rhetoric. – Expression. – Representative movements. – Barrière 1/3/1 and Viotti 3/2/1. – Barrière 1/3/1. – Viotti 3/2/1. – Comparison-summary of barrière 1/3/1 and Viotti 3/2/1. – A summary of structural characteristics in other first movements. – A brief summary of structural characteristics of second and third movements. – IV. Specific elements of the style. – Harmony. – Melody. – How the materials are used: some representative arrangements of melodic materials fot form phrases and periods. – Rhythm. – Texture. – Texture: a rhetorical value. – Texture in relation to structure. – Dialogue. – Varied repetition of a texture: A means of creating structural extent. – Texture in the articulation of large sections of form; a contemporary theorist's recognition of the relationship between texture and form. – Movements in sonata form. – Movements which are not in sonata form. – Texture as related of topic and sonority: affective connotations of certain textures. – Texture and topic. – Concerto and "Trommel Bass". – Learned style. – "Sturm und Drang". – Imitations of other instruments and bucolic topics. – Operatic settings. – Texture and sonority. – Sonority as musical idea. – Arrangements of chords for special effects. – Concluding remarks. – Appendix I - quatuors concertants in score: complete and partial movements and one complete quartet. – Appendix II - biographical notes on compseres. – Musical sources. – A selected bibliography.

Schlagwörter:
Streichquartett / Paris / 1770-1800
Viotti, Giovanni Battista / Dalayrac, Nicolas / Gossec, François-Joseph / Pleyel, Ignaz / Streichquartett

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