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Nm 62 / 1994 Drak

Drake, Kenneth:
The Beethoven sonatas and the creative experience / Kenneth Drake. – Bloomington ; Indianapolis : Indiana University Press, 1994. – XI, 375 S. : Notenbeisp.

ISBN/ISMN 0-253-31822-X

Inv.-Nr. 95.141

Inhalt: Preface. – 1. The first raptus, and all subsequent ones. – The sounds of involvement: 2. Technique as touch. – 3. Tempo and the pacing of musical ideas. – 4. Dynamic nuance and musical line. – 5. The role of silence. – 6. Sound as color. – The sonatas: 7. Descriptive music: op. 81a, op. 13. – 8. Motivic development: op. 2 no. 1, op. 57, op. 110. – 9. "Quasi una Fantasia": op. 27 nos. 1 and 2, op. 26. – 10. Line and space: op. 2 no. 2, op. 101. – 11. Movement as energized color: op. 53. – 12. The moment of creation: op. 28, op. 31 nos. 2 and 3. – 13. Facing two directions: op. 49 nos. 1 and 2, op. 54, op. 78, op. 90. – 14. The enjoyment of fluency: op. 10 nos. 2 and 3, op. 14 no. 2, op. 22, op. 31 no. 1, op. 79. – 15. The cosmopolitan impostor: op. 2 no. 3, op. 14 no. 1. – 16. Embracing the Dachstein: op. 7, op. 106. – 17. A higher revelation: op. 10 no. 1, op. 109, op. 111. – 18. The witness tree. – Notes.

Schlagwörter:
Beethoven, Ludwig van / Klaviersonate / Interpretation
Beethoven, Ludwig van / Klavier / Aufführungspraxis

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