Z 4699
Agawu, Victor Kofi: The first movement of Beethovens's opus 132 and the classical style / V. Kofi Agawu. – 1987. – Graph. Darst., Notenbeisp.
Rilm 88:8579
In: College music symposium. – 27 (1987), S. 30-45
Inv.-Nr. 94.513
Permalink
Mt 8 / 1991 Agaw
Agawu, Victor Kofi: A semiotic interpretation of the first movement of Beethoven's string quartett in A minor, op. 132 / [V. Kofi Agawu]. – 1991. – Notenbeisp.
Fotokopie.
In: Playing with signs : a semiotic interpretation of classic music / V. Kofi Agawu. – Princeton : Princeton University Press, 1991. – S. 110-126
Inv.-Nr. 11.349
Agawu, Victor Kofi: Playing with signs : a semiotic interpretation of classic music / V. Kofi Agawu. – Princeton, New Jersey : Princeton University Press, 1991. – X, 154 S. : Notenbeisp.
Z 5442
Agawu, Victor Kofi: Ambiguity in tonal music : a preliminary study / Kofi Agawu. – 1994. – Notenbeisp.
U.a. über op. 67.
Rilm 94:11713
In: Theory, analysis and meaning in music / ed. by Anthony Pople. – Cambridge : Cambridge University Press, 1994. – S. 86-107
Inv.-Nr. 98.498
Abschnitte: An unlikely example : Beethoven's fifth symphony. – What is ambiguity? - A plausible example : Schumann's "Dichterliebe", song 12, bars 1-13. – Another plausible example : Mozart's symphony no. 40 in G minor, K. 550, first movement, bars 1-23. – Reading ambiguity (1) : William Thomson's theory of "functional ambiguity" of Thomson's error. – Reading ambiguity (2) : Carl Schachter's "Either/Or" or the impossibility of Schenkerian equivocation. – The politics of musical ambiguity.
Z 5965
Agawu, Victor Kofi: The chamber music of Beethoven / Kofi Agawu. – 1998. – Faks. (Noten), Notenbeisp.
Fotokopie. Außerdem kopiert: Preface S. VII-XII.
In: Nineteenth-century chamber music / ed. by Stephen E. Hefling. – New York : Schirmer Books, 1998. – (Studies in musical genres and repertoires). – S. [1]-37
Inv.-Nr. 00.600
Abschnitte: The early chamber music. – The middle period chamber music. – Chamber music of the late period. – Bibliography.
Nc 6 / 1992 Beet
Lockwood, Lewis: Recent writings on Beethoven's late quartets / [rezensiert von] Lewis Lockwood. – 2002. – Notenbeisp.
Sammelrezension: Agawu, Kofi: Playing with signs, Princeton, Princeton University Press, 1991. Hatten, Robert: Musical meaning in Beethoven, Bloomington, Indiana University Press, 1994. Chua, Daniel: The "Galitzin" quartets of Beethoven, Princeton, Princeton University Press, 1995. De Kennessy, Stefania Maria: The quartet, the finale and the fugue, a study of Beethoven's opus 130/133, Diss., Princeton University, 1984. Kropfinger, Karl: Das gespaltene Werk, in: Beiträge zu Beethovens Kammermusik, hrsg. von Sieghard Brandenburg u.a., München, Henle, 1987.
In: Beethoven forum. – 9 (2002), No. 1, S. 85-99
Inv.-Nr. 03.307 HB
Rumph, Stephen C.: Op. 132 and the search for a deep structure / [rezensiert von] Stephen Rumph. – 2007
Rezension von: Playing with signs: a semiotic interpretation of classic music / V. Kofi Agawu. Princeton, Princeton University Press, 1991. Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert / Robert S. Hatten. Bloomington and Indianapolis, Indiana University Press, 2004. Metaphor and musical thought / Michael Spitzer. Chicago, University of Chicago Press, 2004.
In: Beethoven forum. – 14 (2007/2008), No. 1, S. 73-89
Inv.-Nr. 07.1152 HB
Z 11187
Agawu, Victor Kofi: Beethoven's op. 18 No. 3, first movement: two readings, with a comment on analysis / Kofi Agawu. – 2008. – Graph. Darst., Notenbeisp.
In: Communication in eighteenth-century music / ed. by Danuta Mirka ... – Cambridge [u.a.] : Cambridge University Press, 2008. – S. 230-253
Inv.-Nr. 10.999
Z 13668
Agawu, Victor Kofi: Analyzing analysis : the "largo appassionato" from Beethoven's piano sonata in A major, op. 2 no. 2 / Kofi Agawu. – 2013. – Notenbeisp.
Rilm 13:13920
In: Analizar, interpretar, hacer música : de las Cantigas de Santa María a la organología ; escritos in memoriam Gerardo V. Huseby / Melanie Plesch (ed.). – Buenos Aires : Gourmet Musical, 2013. – S. 349-364
Inv.-Nr. 16.628