Nm 33 / 2013 Buur
Buurman, Erica:
Beethoven's compositional approach to multi-movement structures in his instrumental works / Erica Buurman. – 2013. – 272 S. : Notenbeisp.
Ausdruck aus dem Internet vom 24.7.2018. – Digital s.: https://www.escholar.manchester.ac.uk/item/?pid=uk-ac-man-scw:218332.
Manchester, Univ., Diss., 2013
Inv.-Nr. 18.605
Inhalt (grob): List of tables. – List of music examples. – Abstract. – 1. Introduction. – 2. Background to Beethoven's multi-movement structures. – 2.1 Musical conventions. – 2.2 Contemporary aesthetic currents. – 3. Multi-movement planning in the sketches up to 1800. – 4. Multi-movement plans from 1800 to 1807. – 4.1 Opp. 22, 23 and 24. – 4.2 Opp. 26, 27 no. 1, and 28. – 4.3 Opp. 30 and 31. – 4.4 Opp. 47 and 53. – 4.5 The "Eroica" and fifth symphonies. – 4.6 Op. 57, op. 59, and the violin concerto. – 5. Multi-movement plans from 1808 to mid-1815. – 5.1 Sixth symphony. – 5.2 Multi-movement works composed between the sixth and seventh symphonies. – 5.3 Works of 1811-15. – 6. Multi-movement plans from 1815 5o 1824. – 6.1 1815-16. – 6.2 The "Hammerklavier" sonata and unfinished symphony of 1817/18. – 6.3. The sonatas opp. 109, 110, 111. – 6.4 The ninth symphony. – 6.5 The unfinished "Tenth" symphony. – 7. Multi-movement plans for the late quartets. – 8. Conclusions. – 8.1 The role of multi-movement plans within the sketching process. – 8.2 Beethoven's approach to multi-movement structure. – Bibliography. – Appendix: List of sketch sources cited.
- Schlagwörter:
- Beethoven, Ludwig van / Mehrsätzigkeit / Schaffensprozess / Skizze / Analyse
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