Mo 2 / 2017 Impe
Beghin, Tom:
The c-natural that whants to be a c-sharp : visions and realities of Beethoven's Broadwood / Tom Beghin. – 2017. – Faks. (Noten), Ill., Notenbeisp.
Im Anhang eine Übersetzung der Rezension von Adolf Bernhard Marx über die Schlesinger-Ausgabe von Beethovens op. 109 in der Berliner allgemeinen musikalischen Zeitung vom 4. Febr. 1824.
In: Artistic research in music : discipline and resistance ; artists and researchers at the Orpheus Institute / ed. by Jonathan Impett. – Leuven : Leuven Univ. Pr., 2017. – S. 43-87
Inv.-Nr. 18.964
Abschnitte: A gift from London: Beethoven's Broadwood. – A Beethoven piano. – Beethoven sits down at his English instrument. – The c[-natural] wants to be a c#. – An early review of opus 109. – A bi cromatic idea. – Acknowledging the "mistake" of C#. – Feeling and seeing vibrations. – Vibrations: variation 4 and opus 109, third movement. – Seeing moving parts. – A hearing exercise. – A closing anecdote: the master makes a "mistake".
- Schlagwörter:
- Beethoven, Ludwig van / Hammerklavier / Broadwood <Firma> / Klang
- Beethoven, Ludwig van / op. 109 / Hammerklavier / Broadwood <Firma> / Klang
- Beethoven, Ludwig van / op. 109 / Schlesinger / Musikkritik / Marx, Adolf Bernhard
- Rezension
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