Nc 6 / 1999 Arie
Cooper, Barry: Performing Beethoven's piano music in the 21st century / Barry Cooper. – 2020. – Notenbeispiele
In: Arietta. – 9 (2020), S. 4-12
Inv.-Nr. 24.459
Abschnitte: Works. – Instruments. – Notes. – Tempo and tempo flexibility. – Dynamic and slurs. – Ornaments. – Pedal. – Conclusion. – Notes.
Permalink
Nc 6 / 1986 Beet
Cooper, Barry: Review of Ludwig van Beethoven, Symphonien V: Nr. 9 d-Moll Opus 125, ed. by Beate Angelika Kraus : [Munich: Henle, 2020] / [rezensiert von] Barry Cooper. – 2022
Besprechung der Edition von op. 125 in der Neuen Gesamtausgabe, Abt. 1, Bd. 5, herausgegeben von Beate A. Kraus. – Ausdruck aus dem Internet vom 2.2.2022: https://doi.org/10.55917/2771-3938.1004.
In: The Beethoven journal / San José State University. – 35 (2022), Article 6, 8 S.
Inv.-Nr. 22.095 HB
Nc 2 / 2023 Coop
Cooper, Barry: Beethoven's view of Scotland / Barry Cooper. – 2023. – Notenbeispiel
In: Manchester Beethoven studies / edited by Barry Cooper ... – Manchester : Manchester University Press, 2023. – Seite 277-292
Inv.-Nr. 23.805 HB
Abschnitte: Scottish melody. – Literature on Scotland. – Thomson's letters. – Notes.
Nm 2 / 2023 Miuc
Cooper, Barry: Beethoven's pedal marks revisited / Barry Cooper. – [2023], c 2023. – Notenbeispiele
Datierung nach Copyrightjahr.
In: Beethoven and the piano : philology, context and performance pratice / edited by Leonardo Miucci ... – Schliengen : Edition Argus, [2023]. – (Musikforschung der Hochschule der Künste Bern ; Volume 16). – Seite 40-58
Inv.-Nr. 23.834 * 24.022
2 Ex.
Cooper, Barry: Beethoven's Ukraine connection : new light on the creation of his flute variations opp. 105 and 107 / Barry Cooper. – 2024. – Notenbeispiele
Digital s. https://doi.org/10.55917/2771-3938.1006. – Ausdruck aus dem Internet vom 29.5.2024.
In: The Beethoven journal / San José State University. – 36 (2024), [Article 2], 22 Seiten
Inv.-Nr. 24.460 HB
Abschnitt: The Scheide manuscript. – Context: The first twelve sets of variations. – The last four sets of variations. – Continental editions. – Performance as pianoforte works.
Nm 41 / 2024 Coop
Cooper, Barry: The creation of Beethoven's nine symphonies / Barry Cooper. – Woodbridge : Boydell Press, 2024. – xiii, 301 Seiten : Notenbeispiel
ISBN/ISMN 978-1-78327 791 9
Inv.-Nr. 24.189
Inhalt: List of music examples. – List of tables and figures. – Preface and acknowledgements. – Abbreviations. – Introduction.- Symphony biography. – Beethoven and the eighteenth-century symphony. – Sketching the symphonies. – Commissions and performances. – Publication. – 1. The long and hazardous road to the first symphony, op. 21. – Symphony 0. – The middle movements of no. 0. – The finale problem. – The abondonment of the sketches. – Completion of the first symphony. – 2. A creation in two parts: The second symphony, op. 36. – Preliminary work and first movement. – The middle movements. – The finale. – Missing sketches. – Performance and publication. – 3. Elevating the genre: The third symphony (Eroica), op. 55. – Disputed origins. – Main work on the first movement. – The slow movement. – The scherzo. – The finale. – Performance and publication. – 4. The Oppersdorff connection: The fourth symphony, op. 60. – Genesis and context. – The autograph score. – Performance and publication. – 5. Motivic intensity: The fifth symphony, op. 67. – C minor. – Early sketches. – Intermediate sketches. – The autograph score. – Complications in transmission. – 6. 'More an expression of feeling than painting': The sixth symphony (Pastoral), op. 68. – A characteristic symphony. – Early ideas. – The "Pastoral" symphony sketchbook. – The later movements. – From autograph score to publication. – 7. 'Great, exalted' work: The seventh symphony, op. 92. – Initial plans. – Further works on the first movement, and ideas for later ones. – Completion of the slow movement. – The autograph score. – 8. 'Just because it is much better': The eighth symphony, op. 93. – The symphony that began as a concerto. – Transformation of the second movement. – A traditional minuet. – A protracted file. – The amended autograph score. – Performance and publication of the seventh and eighth symphonies. – 9. The philharmonic connection: The ninth symphony, op. 125. – Earliest ideas. – The Philharmonic Society. – Resumption of sketching. – The main sketchbooks. – The finale. – The autograph score. – Copying, performances and publication. – 10. Epilogue. – After the ninth: A tenth?. – The nine symphonies as musical monuments. – Losses of source material. – Diversity. – Bibliography. – Index of music manuscripts. – Index of Beethoven's works. – General index.