Nm 41 op. 55 / 1992 Sipe
Sipe, Thomas:
Interpreting Beethoven : history, aesthetics, and critical reception / Thomas Sipe. – 1992. – IX, 550 S. : Notenbeisp.
Papierkopie erschienen bei University Microfilms International, Ann Arbor.
Philadelphia, Pa., University of Pennsylvania, Diss., 1992
UMI order number: 9235206
Inv.-Nr. 96.978
Inhalt (grobe Übersicht): Chapter 1: The reception history of music. I. Reception history and the history of criticism. II. Reception history as a musicological method. III. Musical connotations and "open concepts". – Chapter 2: The history and taxonony of Beethoven criticism. I. Connotative categories and interpretative modes. II.: The history of Beethoven criticism (1. The metaphorical critics; 2. The transition to the psychological mode; 3. The psychological critics; 4. The transition to the structural mode; 5. the structural critics: contemporary critical imperatives). – Chapter 3: The reception history of the Eroica symphony. I. Historical overview. II. The meaning of the Eroica: Three interpretations. III. Critical precedents. – Chapter 4: Modern Eroica criticism in crisis. I. Floros and the Eroica. II. Schleuning and the Eroica. III. Beethoven, Bonaparte, and diplomacy. – Chapter 5: Interpreting Beethoven's Eroica. I.: The method. II.: The investigation. III.: The application. – Appendix I. – Appendix II. – Bibliography
- Schlagwörter:
- Beethoven, Ludwig van / Rezeptionsforschung
- Beethoven, Ludwig van / op. 55 / Rezeption / 1805-1990
- Beethoven, Ludwig van / op. 55 / Interpretation / Deutung
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