P / 1977 Nine
Z 4974
Jander, Owen:
Orpheus revisited : a ten-year retrospect on the Andante con moto of Beethoven's fourth piano concerto / Owen Jander. – 1995. – Notenbeisp.
Kommentar von Joseph Kerman und Antwort von Jander, S. 286-288.
In: Nineteenth-century music. – 19 (1995/1996), S. 31-49
Inv.-Nr. 96.571 * 96.630
2 Ex.
Abschnitte: Sulzer's recommendation vis-à-vis instrumental music inspired by poetry. – Unique features of this movement. – The Andante con moto of the fourth piano concerto performed as a work for solo piano. – The likely origin of this work as a conception for solo piano. – Beethoven working from Kanne? Or Kanne from Beethoven?. – Historically informed analysis, study one: the final measure. – Historically informed analysis, study two: phraseology. – The concept of the generative movement. – Echoes of the Calzabigi-Gluck quintain as a clue to Beethoven's cyclic vision. – The Vienna Gesellschaft edition of Ovid's "Metamorphoses" (1791). – Edward T. Cone's provocative demur. – The Orpheus-in-Hades story as it has influenced recent performances of the Andante con moto of the fourth piano concerto: tempo and "tempi". – Joseph Kerman's "notes on a Beethoven concerto". – Conclusion.
- Schlagwörter:
- Beethoven, Ludwig van / op. 58 <2. Satz> / Deutung / Orpheus
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